Every year the Thunderbird American Indian Dancers hold a rousing powwow on the Lower East Side. A New York troupe founded in 1963 by a group of Native Americans, the Thunderbird dancers represent a variety of nations descended from Mohawk, Hopi, Winnebago, and San Blas peoples. They are not professional, but they’ve handed their dances down from generation to generation. There’s the Caribou Dance (from the Inuits of Alaska), the Buffalo Dance (from the Hopi of the Southwest), and a Jingle Dress Dance (from the Northern Plains). Come see how softly and rhythmically these dancers tread on the earth. Theater for the New City, Jan. 25 to Feb. 3. See www.theaterforthenewcity.net/programs. —Wendy Perron
Raymond Two Feathers (Cherokee) in an Eagle Dance. Photo by Lee Wexler, Courtesy TNC.
Celebrating American choreographers, Gotham Arts Exchange brings a slew of groups to the Skirball this month. They include the NYC companies of Larry Keigwin, Kate Weare, Pam Tanowitz, Karole Armitage, Aszure Barton, and David Parsons, as well as non-NYC companies Ballet Memphis, Aspen Sante Fe Ballet, Chicago’s Lucky Plush, and L.A.’s BODYTRAFFIC (see “25 to Watch,” page 48). Find out more at nyuskirball.org. And in a related marathon, Gotham presents the second annual Focus Dance, which includes Camille A. Brown, Rosie Hererra, Jodi Melnick, Eiko and Koma, and John Jasperse (see “Quick Q&A,” page 40) at the Joyce, Jan. 8–13. See www.joyce.org. —W. P.
Mora-Amina Parker of Camille A. Brown & Dancers. Photo by Matthew Karas, Courtesy Gotham.
2 from Tokyo and 1 from Taipei
Japanese contemporary dance can range from Pokemon-cute to butoh- drastic. This month’s 15th Annual Contemporary Dance Showcase: Japan & East Asia features a variety of dance. The Makotocluv dance company from Tokyo offers a “post-butoh” piece entitled Misshitsu: Secret Honey Room, co-created by founder Makoto Enda and former Dairakudakan dancer Kumotaro Mukai. The choreographer/singer KENTARO!!, also from Tokyo, brings his singing-and-dancing hip-hop group Tokyo Electrock Stairs in Send it, Mr. Monster. And from Taipei, Chieh-hua Hsieh’s Seventh Sense, for his company Anarchy Dance Theatre, promises to be high-tech and interactive—and hopefully anarchic. Jan. 11–12 at Japan Society. www.japansociety.org. —Kathleen Dalton
Seventh Sense by Chieh-hua Hsieh. Photo by Shou-Cheng Lin, Courtesy Japan Society.
The cast of Dragon Spring Phoenix Rise in rehearsal. Photo by Stephanie Berger, Courtesy The Shed
Akram Khan loves to dive into genres he is unfamiliar with. While his own movement vocabulary is a hybrid of kathak and contemporary dance, he has choreographed a new Giselle for English National Ballet, collaborated with flamenco artist Israel Galván and made a dance theater duet with film star Juliette Binoche. Now, in between touring Xenos, his final full-length solo, and several other projects, he's found time to tackle kung fu. Khan is part of the collaborative team behind Dragon Spring Phoenix Rise, a blockbuster musical based on themes of migration and the fight for survival, running June 22–July 27. Directed by Chen Shi-Zheng and featuring a score that remixes songs by Sia, it's part of the inaugural season of The Shed, a new venue in New York City.