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6 Can't-Miss Shows This November, Chosen By DM Editors

Bill Shannon's Touch Update makes its way to Washington, DC, and New York City this month. Photo courtesy Dance Place

The fall performance season continues at breakneck speed with everything from an international ballet company making its U.S. debut to a retrospective on one of New York City's most iconic dancemakers—not to mention more than a few intriguing new works. Here's what we've got pencilled in.


Have Your Cake

Hans van Manen's Trois Gnossiennes. Photo by Peter Rakossy, Courtesy Ellen Jacobs Associates

NEW YORK CITY Hungarian National Ballet is putting its best foot forward for its American debut at Lincoln Center's David H. Koch Theater. Following a Nov. 4 gala, the company presents recent stagings of full-length staples Swan Lake (Nov. 6–8) and Don Quixote (Nov. 9–10). To close the engagement, Trois Gnossiennes, 5 Tangos and Black Cake, a trio of Hans van Manen works programmed together last year in celebration of the venerable choreographer's 85th birthday, will be performed twice on Nov. 11. opera.hu. —Courtney Escoyne

Blood Memory

Red Clay Dance Company's Destine Young. Photo by Raymond Jerome, Courtesy Red Clay Dance Company

CHICAGO Red Clay Dance Company's ongoing cultural exchange project with Uganda's Keiga Dance Company has resulted in a new work: EKILI MUNDA|What Lies Within. Created to open the Afro-contemporary troupe's 10th-anniversary season, the piece, by artistic director Vershawn Sanders-Ward and Keiga artistic director Jonas Byaruhanga, investigates the body as an archive for cultural history. Nov. 8–10. redclaydance.com. —CE

Heuristic History

Emily Coates. Photo by Anna Lee Campbell, Courtesy Danspace Project

NEW YORK CITY Emmanuèle Phuon and Emily Coates share an evening at Danspace Project that promises smart, thought-provoking new dances. Phuon's Bits & Pieces (Choreographic Donations) looks back on her eclectic, continent-spanning career with contributions from Patricia Hoffbauer, David Thomson, Elisa Monte, Yvonne Rainer and Vincent Dunoyer. A History of Light, in collaboration with artist Josiah McElheny, dives into Coates' investigation of the intersections of dance and science through the lens of the women who have advanced art and technology throughout history. Nov. 8–10. danspaceproject.org. —CE

Update in Progress

Bill Shannon. Photo by Garrett Jones, Courtesy Dance Place

WASHINGTON, DC, AND NEW YORK CITY Ballet dancers have their pointe shoes, tap dancers have their tap shoes, Spanish dancers have their castanets—and Bill Shannon has his crutches. Since childhood, he has lived with a condition in his hips that makes it hard for him to bear weight. He's created a technique of gliding, swiveling, spinning and floating with his crutches, earning him a place in New York City's underground club scene. Recently, he's taken the idea of necessary body extensions into technology. In his new Touch Update, which was developed at the Maggie Allesee National Center for Choreography and premiered in May in Pittsburgh, Shannon has devised wearable video masks and video sculptures that seem to dismantle the human body. Performers include the couple slowdanger (2018 "25 to Watch") and Pittsburgh hip-hop crew Get Down Gang. Ultimately, Shannon is looking at the human potential for change. Dance Place, Nov. 10–11. New York Live Arts, Nov. 14–18. whatiswhat.com. —Wendy Perron

Early Twyla

Twyla Tharp in her Eight Jelly Rolls. Photo courtesy DM Archives

NEW YORK CITY Before Twyla Tharp choreographed highly technical and propulsive ballets like In the Upper Room, she made a slew of dances with a minimalist edge. Some of them were silent and austere, but when she started to use music—whoa! What a feast of sly musicality and slippery movement. Her latest program Minimalism and Me ranges from the simplicity of her first time out—Tank Dive (1965), all angles and diagonals with a yo-yo trick thrown in—to her lusciously loose, vaudeville-inspired classic, Eight Jelly Rolls (1971), with music by jazz composer Jelly Roll Morton. Our question: Who will perform Twyla's outrageously sloppy/precise drunk solo? The program comes to the Joyce Nov. 14–Dec. 9. joyce.org. —WP

Marginalia

Karen L. Charles' Sacred Feminine is one work included in Femthology. Photo by Bill Cameron, Courtesy AQUA Public Relations

ST. PAUL, MN In the Margins, a program presented by Threads Dance Project at The O'Shaughnessy this month, aims to foster empathy for communities that are often relegated to liminal spaces in society. Karen L. Charles' To Hear Like Me utilizes American Sign Language, music visualization and silence as it interrogates implicit bias against the deaf/hard-of-hearing community. Joining it is Femthology, comprising excerpts from already-existing works that explore the female experience, newly reimagined to be equally accessible to hearing and deaf/hard-of-hearing audiences. Nov. 16–17. threadsdance.org. —CE

Dancer Voices
Silas Farley in his Songs from the Spirit at the Metropolitan Museum of Art. Rosalie O'Connor, Courtesy Farley

I dance to encourage others. The longer I dance, the more I see that much of my real work is to speak life-giving words to my fellow artists. This is a multidimensionally grueling profession. I count it a privilege to remind my colleagues of how they are bringing beauty into the world through their craft. I recently noticed significant artistic growth in a fellow dancer, and when I verbalized what I saw, he beamed. The impact of positive feedback is deeper than we realize.

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UA Dance Ensemble members Candice Barth and Gregory Taylor in Jessica Lang's "Among the Stars." Photo by Ed Flores, courtesy University of Arizona

If you think becoming a trainee or apprentice is the only path to gaining experience in a dance company environment, think again.

The University of Arizona, located in the heart of Tucson, acclimates dancers to the pace and rigor of company life while offering all the academic opportunities of a globally-ranked university. If you're looking to get a head-start on your professional dance career—or to just have a college experience that balances company-level training and repertory with rigorous academics—the University of Arizona's undergraduate and graduate programs have myriad opportunites to offer:

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Dancers Trending
Alice Sheppard/Kinetic Light in DESCENT, which our readers chose as last year's "Most Moving Performance." Photo by Jay Newman, courtesy Kinetic Light

Yes, we realize it's only August. But we can't help but to already be musing about all the incredible dance happenings of 2019.

We're getting ready for our annual Readers' Choice feature, and we want to hear from you about the shows you can't stop thinking about, the dance videos that blew your mind and the artists you discovered this year who everyone should know about.

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Dance Training
Robin Worrall via Unsplash

Social media has made the dance world a lot smaller, giving users instant access to artists and companies around the world. For aspiring pros, platforms like Instagram can offer a tantalizing glimpse into the life of a working performer. But there's a fine line between taking advantage of what social media can offer and relying too heavily on it.

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