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“A dancer looking for a job in these odd-ball productions is often better off with a resume that includes gymnastics, circus skills, and martial arts rather than one that stresses singing and acting. What’s the point of being a ‘triple threat’ in a show that relies mostly on recorded music or percussion and has little or no text? (And don’t forget to mention your skating prowess.)” On Broadway columnist Sylviane Gold on the next wave of De La Guarda-style productions.