Dancers Trending

Meet NYCB's Interim Leadership Team

From left: Justin Peck, Rebecca Krohn, Jonathan Stafford and Craig Hall. Photo by Erin Baiano, via The New York Times.

On Saturday, New York City Ballet announced who will be leading the company while ballet master in chief Peter Martins is on a self-requested leave of absence amidst an ongoing investigation into sexual harassment allegations.


The decision, made by NYCB's board, was somewhat surprising. Instead of choosing one interim director, they appointed a team of four: resident choreographer and soloist Justin Peck and ballet masters Jonathan Stafford, Rebecca Krohn and Craig Hall. Stafford will lead the group.

Though the team is relatively green when it comes to the leadership side of ballet, all four are undoubtably familiar with the current workings of NYCB. Krohn transitioned from principal dancer to ballet master in October, while Hall, a former soloist, assumed the same role in 2016. Former principal Stafford has the most experience on that side of the studio—he began his duties as ballet master during his last season as a performer in 2013–14.

We wish the team luck as they step up during such a busy performance season. Dance Magazine will continue its coverage of this developing story, including Martins' future as it relates to NYCB.

Dance on Broadway
Michelle Dorrance. Photo by Jayme Thornton

What do Percy Jackson, Princess Diana and Tina Turner have in common? They're all characters on Broadway this season. Throw in Michelle Dorrance's choreographic debut, Henry VIII's six diva-licious wives and the 1990s angst of Alanis Morissette, and the 2019–20 season is shaping up to be an exciting mix of past-meets-pop-culture-present.

Here's a look at the musicals hitting Broadway in the coming months. We're biding our time until opening night!

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UA Dance Ensemble members Candice Barth and Gregory Taylor in Jessica Lang's "Among the Stars." Photo by Ed Flores, courtesy University of Arizona

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The University of Arizona, located in the heart of Tucson, acclimates dancers to the pace and rigor of company life while offering all the academic opportunities of a globally-ranked university. If you're looking to get a head-start on your professional dance career—or to just have a college experience that balances company-level training and repertory with rigorous academics—the University of Arizona's undergraduate and graduate programs have myriad opportunites to offer:

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Alice Sheppard/Kinetic Light in DESCENT, which our readers chose as last year's "Most Moving Performance." Photo by Jay Newman, courtesy Kinetic Light

Yes, we realize it's only August. But we can't help but to already be musing about all the incredible dance happenings of 2019.

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Getty Images

Ah, stretching. It seems so simple, and is yet so complicated.

For example: You don't want to overstretch, but you're not going to see results if you don't stretch enough. You want to focus on areas where you're tight, but you also can't neglect other areas or else you'll be imbalanced. You were taught to hold static stretches growing up, but now everyone is telling you never to hold a stretch longer than a few seconds?

Considering how important stretching correctly is for dancers, it's easy to get confused or overwhelmed. So we came up with 10 common stretching scenarios, and gave you the expert low-down.

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