"Off Kilter" has real dancers playing dancers. Still courtesy CBC Arts.

Grab the Popcorn—The First Episode of "Off Kilter" is Here, and It's Just As Hilarious As We'd Hoped

"It just...always looks better in my head."

While that might not be something any of us would want to hear from a choreographer, it's a brilliant introduction to "Off Kilter" and the odd, insecure character at its center, Milton Frank. The ballet mockumentary (think "The Office" or "Parks and Recreation," but with pointe shoes) follows Frank (dancer-turned-filmmaker Alejandro Alvarez Cadilla) as he comes back to the studio to try his hand at choreographing for the first time since a plagiarism scandal derailed his fledgling career back in the '90s.


We've been pretty excited about the series for a while, and now the wait is finally over. The first episode of the show, "The Denial," went live earlier today, and it's every bit as awkward, hilarious and relatable as we hoped.

In the course of its eight-episode season, "Off Kilter" nods to some big issues in the dance world. Ageism, the gender pay-gap and sexual harassment are all addressed on some level, in the midst of hijinks caused by an uptight building manager and an enterprising public relations guru.

Plus, the dancing is excellent—but then, with National Ballet of Canada stars Brendan Saye, Harrison James and Chelsy Meiss joining former Royal Winnipeg Ballet soloist Sarah Murphy-Dyson to form the cast of Frank's new ballet (choreographed by Shawn Hounsell), we expected nothing less.

Sarah Murphy-Dyson plays Anna, a 43-year-old ballerina coming face-to-face with ageism in the ballet world. Still courtesy CBC Arts

Keep an eye on the CBC Arts YouTube channel: They'll be posting one episode a week as we watch Frank's definitely-not-a-comeback take shape.

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Daphne Boutin, Courtesy Keflezgy

Hip-Hop Choreographer Luam Is Using Her Voice to Spark Change

Having taught around the world and created for the likes of Beyoncé, Rihanna and Alicia Keys, Luam Keflezgy has established herself as one of the most respected choreographers in the dance industry. Her recognition stems from not only her creative expertise, but her flawless ability to use movement as a vessel for her unique voice.

Today, Luam is leading by example by brilliantly leveraging her social media following to highlight racial injustices within the dance industry. She has hosted IG live convos with artists like Martha Nichols, Phillip Chbeeb and Tony Tzar, tackling topics surrounding mental health, ally-ship and cultural appropriation. Luam also hosts her own podcast called Industry Talk that continues to spark conversations surrounding the dance and hip-hop community.

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