On the Rise: Giuseppe Bausilio
In Broadway's CATS, Giuseppe Bausilio exploded across the stage as the wild and rascally Carbucketty. With fiery exuberance, he transformed steps into drama, songs into lullabies, dosing out magic with his sheer joy of performing. He recently left his cat suit behind to join his fifth Broadway show, Hello, Dolly! Though he's only 19, he makes dreams like "originating a leading role on Broadway" sound possible.
Broadway shows: Currently in Hello, Dolly!, starting previews this month. Past shows include CATS, Aladdin, Newsies and Billy Elliot.
Television: Plays Alfie, a dancer and runaway prince, in Season 4 of "The Next Step," a Canadian teen drama about an ultra-competitive dance team
Hometown: Bern, Switzerland
Training: Began studying ballet at age 4 at his parents' school, American Swiss Ballet, in Bern and New York City
Accolades: Youth America Grand Prix silver and bronze medals, junior division; additional awards from competitions in France and Italy
Photo by Nathan Sayers
Special sauce: Bausilio credits his family for where he is today. His parents were both professional dancers and his older brother, Yannick Bittencourt, is a dancer at the Paris Opéra Ballet. "They taught me how to be a professional at a very young age," he says. "I take a ballet class every morning."
A little luck and lots of hard work: While at YAGP, a casting director spotted Bausilio and asked him to audition for the role of Billy Elliot. He barely spoke English and his only training had been ballet. Bausilio spent the summer speed-learning tap, hip hop, gymnastics and singing. "I nodded a lot and pretty much said yes to everything." It paid off. He got the role and spent two years playing Billy Elliot on tour, in Chicago and on Broadway.
An unexpected curve: Three months into CATS, Bausilio's back gave out. Doctors found a rare vascular tumor in his spinal canal and removed it during a six-hour surgery. "I think this was kind of a sign telling me, 'Giuseppe, you've got to breathe for a second.' "
"Every choreographer in NYC will be fighting over the chance
to have Giuseppe in the trenches with us!" —Andy Blankenbuehler
Bouncing back: Bausilio was out of CATS for 15 weeks and used the downtime to work on his upcoming EP and a one-man cabaret show—he's also a singer/songwriter and plays guitar and keyboard.
What Andy Blankenbuehler is saying: "Giuseppe has impeccable dance technique. He sings like a bird and is a pro at creating a character through his performing," says the CATS choreographer. "But his passion is what makes him a standout. He has a generosity of the heart that touches everyone onstage and in the audience."
What's next: The ensemble of Hello, Dolly!, starring Bette Midler. "It's insane, the people I get to work with," Bausilio says, and chants a litany of names: "Warren Carlyle, the choreographer, Jerry Zaks, multiple Tony Award–winning Broadway director. Amazing people, legends! I think I've used the words 'insane' and 'crazy' about a hundred times in this past hour. But that's really what my life has been."
What do Percy Jackson, Princess Diana and Tina Turner have in common? They're all characters on Broadway this season. Throw in Michelle Dorrance's choreographic debut, Henry VIII's six diva-licious wives and the 1990s angst of Alanis Morissette, and the 2019–20 season is shaping up to be an exciting mix of past-meets-pop-culture-present.
Here's a look at the musicals hitting Broadway in the coming months. We're biding our time until opening night!
If you think becoming a trainee or apprentice is the only path to gaining experience in a dance company environment, think again.
The University of Arizona, located in the heart of Tucson, acclimates dancers to the pace and rigor of company life while offering all the academic opportunities of a globally-ranked university. If you're looking to get a head-start on your professional dance career—or to just have a college experience that balances company-level training and repertory with rigorous academics—the University of Arizona's undergraduate and graduate programs have myriad opportunites to offer:
Yes, we realize it's only August. But we can't help but to already be musing about all the incredible dance happenings of 2019.
We're getting ready for our annual Readers' Choice feature, and we want to hear from you about the shows you can't stop thinking about, the dance videos that blew your mind and the artists you discovered this year who everyone should know about.
Ah, stretching. It seems so simple, and is yet so complicated.
For example: You don't want to overstretch, but you're not going to see results if you don't stretch enough. You want to focus on areas where you're tight, but you also can't neglect other areas or else you'll be imbalanced. You were taught to hold static stretches growing up, but now everyone is telling you never to hold a stretch longer than a few seconds?
Considering how important stretching correctly is for dancers, it's easy to get confused or overwhelmed. So we came up with 10 common stretching scenarios, and gave you the expert low-down.