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On the Rise: Natasha Sheehan
With her delicate movement quality and a silken jump, at age 17 Natasha Sheehan became the youngest winner of the International Competition for the Erik Bruhn Prize this past November. The rookie San Francisco Ballet corps dancer flawlessly embodied the ghostly Giselle, and her emotional performance stood out in an arena typically showcasing athletic prowess. The spellbound audience and judges agreed: Sheehan's profound artistry and self-assurance belie her years.
Company: San Francisco Ballet
Hometown: San Francisco
Training: SFB School since age 11, nine months after her first dance lesson
Accolades: 2016 female winner of the Erik Bruhn Prize, Dizzy Feet Foundation's Angelina Ballerina scholarship recipient
Here and above: Sheehan with Angelo Greco at the Erik Bruhn Competition. Photo by Aleksandar Antonijevic, Courtesy SFB.
Breakout moment: Last season, while still an SFB trainee, Sheehan danced one of the Four Little Swans in Swan Lake. "After that, I felt I could accomplish anything," she says, "because it required so much precision, focus and strength to dance as one." Soon after, artistic director Helgi Tomasson hired her full-time. He later chose her to be the company's female representative at the Erik Bruhn Prize, despite her not meeting the competition's usual minimum age requirement of 18.
"She really does seem born to dance. I am
completely fascinated by her." —Helgi Tomasson
A budding artist: "She's not just focused on the technique but the meaning behind it," says SFB School associate director Patrick Armand. "She's a very sensitive person and what you see is the emotion she can put through her dancing. You can't teach that."
Juggling high school with a company job: Presently in 12th grade, Sheehan takes online courses, often studying before class and between rehearsals. "With the kind of family I've got, not doing school is not an option." (Her mom is a writer, her dad is a content tech strategist and both paternal grandparents are history professors.)
Embracing her roles: Sheehan confesses that she sometimes overintellectualizes her dancing. "Getting my head around the storyline or concept of the choreography without overthinking is my biggest artistic challenge," she says.
Photo by Karolina Kuras, Courtesy SFB
Fueling her dancing: Sheehan plans to become a nutritionist once she finishes dancing. She steers clear of processed foods and snacks on fruits, vegetables, nuts, seeds, probiotic yogurt, hummus and avocados. Each morning, she sips kombucha and a cup of green tea with lemon.
What Tomasson says: "I watched her doing Snowflakes during Nutcracker, serene and confident onstage despite the chaos around her. She's the calm at the middle of the storm. A dancer like this comes along only so rarely. I think she's a major talent."
Bales of hay, black umbrellas, bicycles—this Midsummer Night's Dream would be unrecognizable to the Bard. Alexander Ekman's full-length, inspired by Scandinavian solstice traditions and set to music by Mikael Karlsson, is a madcap celebration of the longest day of the year, when the veil between our world and that of the supernatural is said to be at its thinnest. The Joffrey Ballet's performances mark the seductively surreal work's North American premiere. April 25–May 6. joffrey.org.
"There's an ancient energy in Fana's movement, a deep and trusted knowing," says Jeff, director of the Chicago-based Deeply Rooted Dance Theater. "Because I witnessed the raw humanity of his dancer's souls, I wanted my dancers to have that experience."
Growing up in a family-owned dance studio in Missouri had its perks for tap dancer Anthony Russo. But it also earned him constant taunting, especially in high school.
"There was a junior in my sophomore year health class who was absolutely relentless," he says. "I'd get tripped on my way to the front of the classroom and he'd say, 'Watch out, twinkle toes.' If I raised my hand and answered a question incorrectly, I'd hear a patronizing 'Nice one, Bojangles.' "
Choreographer Sergio Trujillo asked the women auditioning for ensemble roles in his newest musical to arrive in guys' clothing—"men's suits, or blazers and ties," he says. He wasn't being kinky or whimsical. The entire ensemble of Summer: The Donna Summer Musical is female, playing men and women interchangeably as they unfold the history of the chart-busting, Grammy-winning, indisputable Queen of Disco.
Have a scroll through Agnes Muljadi's Instagram feed (@artsyagnes), and you'll notice that in between her ballet shots is a curated mix of lifestyle pics. So what exactly sets her apart from the other influencers you follow? Muljadi has made a conscious effort to only feature natural beauty products, sustainable fashion and vegan foods. With over 500k followers, her social strategy (and commitment to making ethical choices) is clearly a hit. Ahead, learn why Muljadi switched to a vegan lifestyle, and the surprising way it's helped her dance career.
He may not be a household name, but you probably know Brandon Stirling Baker's work. The 30-year-old has designed the lighting for most of Justin Peck's ballets—including Heatscape for Miami City Ballet, and the edgy The Times Are Racing for New York City Ballet—but also Jamar Roberts' new Members Don't Get Weary at Alvin Ailey American Dance Theater and a trio of Martha Graham duets for L.A. Dance Project.
He's been fascinated by lighting ever since he attended a public performing arts middle school in Sherman Oaks, California, where he had his first experiences lighting shows. He also has a background in music (he plays guitar and bass) and in drawing. Both, he says, are central to the way he approaches lighting dance.
Update: Due to an overwhelming response, the in-person audition has been moved to a larger location to accommodate more dancers. See details below.
For the first time in more than 10 years, Janet Jackson is holding an open audition for dancers.
Even better? You could land a spot in her #JTribe simply by posting a video on social media.
What does it take to become an international superstar? Carlos Acosta might have a few ideas.
At the Oxford Literary Festival earlier this month, the BBC sat down with Acosta to ask for his life lessons. His answers—which he says he will pass on to his kids one day—give incredible insight into how he's become such a beloved worldwide success.