Performances Onstage this Month
Above: Ben Folds and Nashville Ballet’s Sadie Bo Harris
Ben Folds Joins the Ballet
It’s no surprise that in Nashville, aka “Music City,” Nashville Ballet has become known for its collaborations with musical artists. Pop star Ben Folds visits the company May 2–4 to accompany artistic director Paul Vasterling’s new Ben Folds Piano Concerto at the Tennessee Performing Arts Center. The starry collaboration with Folds, one of the biggest celebrities to pair up with Nashville Ballet, may bring new audiences to Petite Mort (a company premiere) and Serenade, which complete the program. nashvilleballet.com.
NEW YORK CITY
These days, it seems like French contemporary dance has gone conceptual. But there’s a wide range, and we’re about to see a big slice of it. From May 1–18, under the banner DANSE: A French-American Festival of Performance & Ideas, 17 U.S. premieres will fill New York City theaters, from the Chocolate Factory to the Joyce. One highlight is the excellent Lyon Opera Ballet in Christian Rizzo’s dreamlike ni fleurs, ni ford-mustang at BAM. Another is the disturbingly bizarre Baron Samedi, a “choreographic opera” by the late Alain Buffard, at New York Live Arts. Look for familiar New York City dancers David Thomson and Will Rawls—and, from the Ivory Coast, the raw, awe-inspiring Nadia Beugré. frenchculture.org/DANSE.
Above: Lyon Opera Ballet in ni fleurs, ni ford-mustang
NEW YORK CITY
Danspace Project has deepened the way we look at choreography through its PLATFORM programming. Launched in 2010, the series refracts many ideas through a single theme or dance artist, spreading its offerings over a month. PLATFORM 2014: Diary of an Image delves into the work of DD Dorvillier, a supremely quirky dancer/choreographer. Nothing she does can be construed as graceful, yet her antics—be they austere or silly—draw you in. From May 19–June 14, Danspace presents two new works by Dorvillier, performances by her collaborators (including favorite downtown composer Zeena Parkins) and a publication that includes writings by some of her fellow explorers: Heather Kravas, Jennifer Lacey and Jennifer Monson. danspaceproject.org.
Above: DD Dorvillier in No Change or “freedom is a psycho-kinetic skill”
Twice as Nice
Geographically, the Netherlands may only be about the size of Maryland, but the tiny country has produced a disproportionate number of remarkable artists. Dutch National Ballet shows off that cultural abundance in Dutch Doubles, which matches up four Netherlands-based choreographers with fellow countrymen from the fields of fashion, music, photography and sculpture. Hans van Manen, one of the founding fathers of European contemporary dance, will work with renowned harpist Remy van Kesteren, 56 years van Manen’s junior; honorary Dutchman Jorma Elo (he’s Finnish, but danced with Nederlands Dans Theater for years) will pair his spiky pop culture–tinged choreography with fashion from red-hot design duo Viktor & Rolf. Rounding out the choreographic quartet are the acutely musical Ton Simons and rising star Juanjo Arqués. National Opera & Ballet, April 16–May 7. operaballet.nl.
Above: DNB’s Igone de Jongh (right) and Rink Sliphorst in Viktor & Rolf’s costumes
Romeo and Juliet Redux
It takes a sort of wild courage to reimagine a work as iconic as Romeo and Juliet. But beyond the name and score, it’s hard to make a side-by-side comparison between Krzysztof Pastor’s contemporary take on the story, which the Joffrey Ballet gives its U.S. premiere starting April 30, and the more traditional version by Kenneth MacMillan. Choreographed on the Scottish Ballet in 2008, Pastor’s ballet is set in three different decades of 20th-century Italy, following the country through fascism and war. In lieu of a set, a multimedia video backdrop allows Pastor to jump from era to era. The costuming is more pedestrian than Shakespearean, the choreography more confrontational than swoony. Roosevelt University, April 30–May 11. joffrey.org.
Above: Joffrey Ballet’s Alberto Velazquez and Mahallia Ward as Romeo and Juliet
Photos from top: ANTHONYMATULA, Courtesy Nashville Ballet; Michael Cavalca; Thomas Dunn; Petrovsky & Ramone, Courtesy Dutch National Ballet; Christopher Duggan, Courtesy Joffrey Ballet
What do Percy Jackson, Princess Diana and Tina Turner have in common? They're all characters on Broadway this season. Throw in Michelle Dorrance's choreographic debut, Henry VIII's six diva-licious wives and the 1990s angst of Alanis Morissette, and the 2019–20 season is shaping up to be an exciting mix of past-meets-pop-culture-present.
Here's a look at the musicals hitting Broadway in the coming months. We're biding our time until opening night!
If you think becoming a trainee or apprentice is the only path to gaining experience in a dance company environment, think again.
The University of Arizona, located in the heart of Tucson, acclimates dancers to the pace and rigor of company life while offering all the academic opportunities of a globally-ranked university. If you're looking to get a head-start on your professional dance career—or to just have a college experience that balances company-level training and repertory with rigorous academics—the University of Arizona's undergraduate and graduate programs have myriad opportunites to offer:
Yes, we realize it's only August. But we can't help but to already be musing about all the incredible dance happenings of 2019.
We're getting ready for our annual Readers' Choice feature, and we want to hear from you about the shows you can't stop thinking about, the dance videos that blew your mind and the artists you discovered this year who everyone should know about.
Ah, stretching. It seems so simple, and is yet so complicated.
For example: You don't want to overstretch, but you're not going to see results if you don't stretch enough. You want to focus on areas where you're tight, but you also can't neglect other areas or else you'll be imbalanced. You were taught to hold static stretches growing up, but now everyone is telling you never to hold a stretch longer than a few seconds?
Considering how important stretching correctly is for dancers, it's easy to get confused or overwhelmed. So we came up with 10 common stretching scenarios, and gave you the expert low-down.