Editors' Picks: Our Favorite Dance Magazine Stories from 2017
2017 has been quite a year here at Dance Magazine. From launching our new website to celebrating the magazine's 90th anniversary, it's been a thrilling 12 months. To wrap up the year, the Dance Magazine team took a moment to share each of our favorite highlights.
Creative director Raymond Mingst: July's "The Hall of Fame"
I'll take any excuse to paw through decades-old issues of Dance Magazine. Our special 90th anniversary issue this July gave us just that opportunity. We reprinted some of our favorite covers—from Andy Warhol's illustration of Doris Humphrey (February 1959), to Baryshnikov on a motorcycle (January 1992).
Assistant editor, audience engagement Kelsey Grills: "The Problem With So You Think You Can Dance's Fast-Food Activism"
Veronica Jiao's smart piece shed light on a serious problem the dance world tends to ignore. Although "SYTYCD" does wonderful things for dance by providing a platform that allows various genres to reach broader audiences, the show sometimes fails to recognize the responsibility it has.
Assistant editor Lauren Wingenroth: October's Ryan Heffington cover story
I find Heffington to be one of the most fascinating figures in the dance world, and writer Brian Schaefer somehow managed to capture his inimitable quirk. Plus, he talked to Sia, who referred to herself as a "spaghetti woman."
Heffington photographed by Jacob Sutton, styled by Mindy Le Brock in Kenzo
Editor in chief Jennifer Stahl: "Why Are We Still So Bad at Addressing Mental Health?"
When writer Kathleen McGuire first pitched this story to me, she was super nervous about opening up and sharing her story about how untreated depression led her to quit dance. But as soon as we hit publish, we realized she was far from alone in feeling discarded by the dance world. The outpouring of support made us realize that dancers' mental health is a topic we need to cover further—so stay tuned for more in 2018.
Assistant editor Marissa DeSantis: May's Wendy Whelan Cover Story
I always loved going to see Wendy Whelan perform at City Ballet, and thought it was interesting to hear how she's created a whole second career for herself after retiring from NYCB. Plus, it was cool to get a picture of how she works in the studio and what it's like collaborating with her.
Assistant editor Courtney Escoyne: "Making Chicken Pot Pie with James Whiteside"
I really wasn't going to mention one of my own stories, but I had to include this, partially because James is a trip, partially because the recipe is fantastic, but mostly because going to his apartment and being fed homemade chicken pot pie for this article tops my list of the most ridiculous (and awesome) things I've done at Dance Magazine.
Managing editor Madeline Schrock: Our July cover with Michelle Dorrance
The accompanying 90th-anniversary cover line, "Looking Back and Leaping Forward," is also a spot-on description of Dorrance's boundary-breaking work, and I love how she's photographed in tails in homage to tap's early legends. This fusion is a reminder of what makes great art: perspectives that acknowledge and build on the past, while contributing something fresh to the conversation.
More than once, when I'm sporting my faded, well-loved ballet hoodie, some slight variation of this conversation ensues:
"Is your daughter the dancer?"
"Actually," I say, "I am."
"Wow!" they enthuse. "Who do you dance with? Or have you retired...?"
"I don't dance with a company. I'm not a professional. I just take classes."
Insert mic drop/record scratch/quizzical looks.
You nominated your favorite dance moments so far in 2019, and we narrowed them down to this list. Now it's time to cast your vote to help decide who will be deemed our Readers' Choice picks for the year!
Voting is open until September 17th. Only one vote per person will be counted.
Just four years ago, the University of Southern California's Glorya Kaufman School of Dance welcomed its first class of BFA students. The program—which boasts world-class faculty and a revolutionary approach to training focused on collaboration and hybridity—immediately established itself as one of the country's most prestigious and most innovative.
Now, the first graduating class is entering the dance field. Here, six of the 33 graduates share what they're doing post-grad, what made their experience at USC Kaufman so meaningful and how it prepared them for their next steps:
The 2019–20 season is here, and with it more performances than any one person could reasonably catch. But fear not: We polled our writers and editors and selected the 31 most promising tickets, adding up to one endlessly intriguing year of dance.