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Adreinne Arsht Center for the Performing Arts Miami, FL January 6–8, 2012 Performance reviewed: Jan 6 Miami City Ballet welcomed the New Year trumpeting a world premiere by Liam Scarlett, an up-and-soaring choreographer from England who dances for The Royal Ballet. Unlike Asphodel Meadows, the artist’s first work for his home company’s main stage in […]

Electric performances, thought-provoking choreography, buzzy bodies of work—the artists on our annual list of dancers, choreographers, directors, and companies poised for a breakout share an uncanny knack for arresting attention. They’ve been turning heads while turning what’s expected—in a performance, from a career trajectory—on its head. We’re betting we’ll be seeing a lot more of them this year, and for many years to come.

Misty Copeland is back in the limelight with her new film, “Flower.”

The dancers, choreographers and scholars that make up this remarkable group of 2022 Dance Magazine Award honorees are notable not only for their artistry but also for their impact on the field of dance and the world at large.

From a very early age, dancers are taught that pain comes with the territory. When injuries inevitably arise, dancers feel shame, social stigma and tremendous pressure to bounce back as quickly as possible. This means taking a risk by downplaying the severity, or hiding it altogether due to fear.

Here are the latest promotions, appointments and departures, as well as notable awards and accomplishments, from the last month. Comings & Goings Sidi Larbi Cherkaoui has been named director of Ballet du Grand Théâtre de Genève, beginning June 2022. He will remain with Royal Ballet of Flanders until the close of its 2021–22 season. Cathy […]

In October 2018, HBO made news with an announcement that it would engage specialists to ensure sex scenes in every movie and series it produced were handled safely and professionally. Some characterized the network’s new policy as a move to stem the tide of #MeToo allegations in entertainment, proof themselves that the industry had failed […]