Modern Dance Legend Paul Taylor Has Died
Yesterday, modern dance giant Paul Taylor passed away. He had turned 88 at the end of July.
Considered the last of the 20th-century modern dance titans, Taylor celebrated the 60th anniversary of his company in 2014. A prolific dancemaker, he continued to make new works into his final year, the last of which premiered during the company's annual Lincoln Center season in March—his 147th. Aureole, Cloven Kingdom and Promethean Fire are among his iconic works, though perhaps none is so beloved as his 1975 masterpiece Esplanade. During his performing career, Taylor danced roles created for him by Martha Graham, Merce Cunningham and George Balanchine, as well as in his own work.
Paul Taylor choreographing To Make Crops Grow on Parisa Khobdeh. Photo by Whitney Browne, Courtesy PTDC
The news comes just months after the surprise announcement, mid-May, that Taylor had named Michael Novak artistic director designate. Novak, a 35-year-old member of Paul Taylor Dance Company, was expected to continue performing while preparing to take the reins of the multi-faceted Taylor enterprise, from the school to the company itself. It seems that Novak will be stepping into the role sooner than may have been expected.
Prior to naming Novak his successor, Taylor had begun to prepare his company for the future with the launch of the Paul Taylor American Modern Dance Initiative in 2014. The PTAMD season includes not just Taylor's works, but also repertory pieces from other iconic modern choreographers (such as Graham, Cunningham and Trisha Brown) and new creations from contemporary choreographers (Doug Varone and Bryan Arias in the most recent iteration).
Taylor's distinctive choreographic voice has been a major force shaping American dance for decades. His legacy will endure, but Mr. Taylor will be missed.
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The Primetime Emmy Award nominations are out! Congrats to the seven choreographers who earned nods for their exceptional TV work this year. Notably, that work was made for just two shows, "So You Think You Can Dance" and "World of Dance."
And there was a particularly remarkable snub: While the dance-filled hit "Fosse/Verdon" earned 17 nominations across many of the major categories, Andy Blankenbuehler's fabulous Fosse remixes weren't recognized in the Outstanding Choreography field.
Here are all the dance routines up for Emmys:
"Dancers can do everything these days," I announced to whoever was in earshot at the Jacob's Pillow Archives during a recent summer. I had just been dazzled by footage of a ballet dancer performing hip hop, remarkably well. But my very next thought was, What if that isn't always a good thing? What if what one can't do is the very thing that lends character?
Capezio, Bloch, So Dança, Gaynor Minden.
At the top of the line, dancers have plenty of quality footwear options to choose from, and in most metropolitan areas, stores to go try them on. But for many of North America's most economically disadvantaged dance students, there has often been just one option for purchasing footwear in person: Payless ShoeSource.
When Sonya Tayeh saw Moulin Rouge! for the first time, on opening night at a movie theater in Detroit, she remembers not only being inspired by the story, but noticing the way it was filmed.
"What struck me the most was the pace, and the erratic feeling it had," she says. The camera's quick shifts and angles reminded her of bodies in motion. "I was like, 'What is this movie? This is so insane and marvelous and excessive,' " she says. "And excessive is I think how I approach dance. I enjoy the challenge of swiftness, and the pushing of the body. I love piling on a lot of vocabulary and seeing what comes out."