NYC's Upcoming Season is Full of Powerful Women
Maybe it's just by chance, but it seems like the upcoming lineup in New York City is designed to remind us of the women giants of our field. What a great welcome to the new season!
• Twyla Tharp brings new and old work to the Joyce. She may be the most prolific living choreographer in any genre. Her movement is always bursting with inventiveness, and she challenges her mighty dancers with impossibly complex and non-stop motion.
Tharp's Raggedy Dances (1982) with Sara Rudner and Rose Marie Wright, PC William Pierce
• Two formative works by Pina Bausch are coming to Brooklyn Academy of Music: The Rite of Spring and Café Müller. Bausch shook the international dance (and theater) world with her brash and brilliant work 30 years ago. Though she died in 2009, her dancers still make complacency impossible at the same time as they satisfy our lust for a rich, provocative imagination onstage.
• Anne Teresa De Keersmaeker's Vortex Temporum exploded onto the stage of BAM last fall and, in a different version, at the Museum of Modern Art's atrium a few months later. The power of dance and music pushing each other's momentum gives us a visceral thrill. She premieres A Love Supreme with music by John Coltrane at New York Live Arts.
• Germaine Acogny, known as "the mother of contemporary African dance," is a commanding performer in her own right. At the age of 73, she tackles Stravinsky's Rite of Spring at BAM. The solo, titled Mon élue noire (My Black Chosen One): Sacre #2 is choreographed by Olivier Dubois.
• The Trisha Brown Dance Company helps open Fall for Dance at New York City Center with a duet from the 1990s. On the same program is a premiere by a more current giantess—Michelle Dorrance.
Dorrance, center, in her Myelination, PC Julieta Cervantes
Social media has made the dance world a lot smaller, giving users instant access to artists and companies around the world. For aspiring pros, platforms like Instagram can offer a tantalizing glimpse into the life of a working performer. But there's a fine line between taking advantage of what social media can offer and relying too heavily on it.
If you think becoming a trainee or apprentice is the only path to gaining experience in a dance company environment, think again.
The University of Arizona, located in the heart of Tucson, acclimates dancers to the pace and rigor of company life while offering all the academic opportunities of a globally-ranked university. If you're looking to get a head-start on your professional dance career—or to just have a college experience that balances company-level training and repertory with rigorous academics—the University of Arizona's undergraduate and graduate programs have myriad opportunites to offer:
Yes, we realize it's only August. But we can't help but to already be musing about all the incredible dance happenings of 2019.
We're getting ready for our annual Readers' Choice feature, and we want to hear from you about the shows you can't stop thinking about, the dance videos that blew your mind and the artists you discovered this year who everyone should know about.
On August 19, 1929, shockwaves were felt throughout the dance world as news spread that impresario Sergei Diaghilev had died. The founder of the Ballets Russes rewrote the course of ballet history as the company toured Europe and the U.S., championing collaborations with modernist composers, artists and designers such as Igor Stravinsky, Pablo Picasso and Coco Chanel. The company launched the careers of its five principal choreographers: Michel Fokine, Vaslav Nijinsky, Léonide Massine, Bronislava Nijinska and George Balanchine.