Is Your Pre-Show Ritual Uninspired? Take A Cue From These 12 Pros
But pre-show routines are also highly individual, and involve artists preparing their heads for performance just as much as their bodies. That could mean anything from listening to a favorite song, bonding with cast members or meditating.
Feeling like your pre-show ritual could use a bit of inspiration? These 12 pros shared their tried-and-true routines with us:
Choreographer and Entrepreneur Jacob Jonas
Miami City Ballet's Nathalia Arja
Dancer and Choreographer Emma Portner
The Washington Ballet's Ashley Murphy
Dancer and Choreographer Ephrat Asherie
Pacific Northwest Ballet's Leta Biasucci
"For roles that are accompanied by nerves, I like to find time before a performance to spend visualizing the piece. I close my eyes and imagine how the 'perfect' performance would feel. I find this practice to be meditative and allows for me to feel more excited than nervous.
"Not necessarily a ritual, but I have to double-check my performance shoe ribbons and re-sew ones that look like they might possibly come unsewn. Who wants to spend a show worrying about shoes falling off?"
Martha Graham Dance Company's PeiJu Chien-Pott
"I usually arrive at the theater much earlier than the call time. I set up my dressing room to create a feels-like-home space. I do my makeup and hair while I listen to some calm music. And right before I get onstage, I meditate for five minutes and 'talk' to Martha. Finally, I give the stage a kiss."
Alvin Ailey American Dance Theater's Hope Boykin
"My most important ritual is prayer. I simply ask that the audience will see the most honest artist in me. Despite the frustrations, feelings, aches and pains I may be experiencing, I long for the best performance to resonate in the hearts of those watching."
Dancer and Choreographer Caleb Teicher
"I usually improvise to a couple songs by myself to get some creative juices flowing. Then, I try to find some quiet time so that listening to music onstage feels fresh and focused. I may eat some gummy bears, too."
Ballet Dancer Joy Womack
Dutch National Ballet's Michaela DePrince
Choreographer James Alsop
More than once, when I'm sporting my faded, well-loved ballet hoodie, some slight variation of this conversation ensues:
"Is your daughter the dancer?"
"Actually," I say, "I am."
"Wow!" they enthuse. "Who do you dance with? Or have you retired...?"
"I don't dance with a company. I'm not a professional. I just take classes."
Insert mic drop/record scratch/quizzical looks.
You nominated your favorite dance moments so far in 2019, and we narrowed them down to this list. Now it's time to cast your vote to help decide who will be deemed our Readers' Choice picks for the year!
Voting is open until September 17th. Only one vote per person will be counted.
Just four years ago, the University of Southern California's Glorya Kaufman School of Dance welcomed its first class of BFA students. The program—which boasts world-class faculty and a revolutionary approach to training focused on collaboration and hybridity—immediately established itself as one of the country's most prestigious and most innovative.
Now, the first graduating class is entering the dance field. Here, six of the 33 graduates share what they're doing post-grad, what made their experience at USC Kaufman so meaningful and how it prepared them for their next steps:
The 2019–20 season is here, and with it more performances than any one person could reasonably catch. But fear not: We polled our writers and editors and selected the 31 most promising tickets, adding up to one endlessly intriguing year of dance.