Is Your Pre-Show Ritual Uninspired? Take A Cue From These 12 Pros
But pre-show routines are also highly individual, and involve artists preparing their heads for performance just as much as their bodies. That could mean anything from listening to a favorite song, bonding with cast members or meditating.
Feeling like your pre-show ritual could use a bit of inspiration? These 12 pros shared their tried-and-true routines with us:
Choreographer and Entrepreneur Jacob Jonas
Miami City Ballet's Nathalia Arja
Dancer and Choreographer Emma Portner
The Washington Ballet's Ashley Murphy
Dancer and Choreographer Ephrat Asherie
Pacific Northwest Ballet's Leta Biasucci
"For roles that are accompanied by nerves, I like to find time before a performance to spend visualizing the piece. I close my eyes and imagine how the 'perfect' performance would feel. I find this practice to be meditative and allows for me to feel more excited than nervous.
"Not necessarily a ritual, but I have to double-check my performance shoe ribbons and re-sew ones that look like they might possibly come unsewn. Who wants to spend a show worrying about shoes falling off?"
Martha Graham Dance Company's PeiJu Chien-Pott
"I usually arrive at the theater much earlier than the call time. I set up my dressing room to create a feels-like-home space. I do my makeup and hair while I listen to some calm music. And right before I get onstage, I meditate for five minutes and 'talk' to Martha. Finally, I give the stage a kiss."
Alvin Ailey American Dance Theater's Hope Boykin
"My most important ritual is prayer. I simply ask that the audience will see the most honest artist in me. Despite the frustrations, feelings, aches and pains I may be experiencing, I long for the best performance to resonate in the hearts of those watching."
Dancer and Choreographer Caleb Teicher
"I usually improvise to a couple songs by myself to get some creative juices flowing. Then, I try to find some quiet time so that listening to music onstage feels fresh and focused. I may eat some gummy bears, too."
Ballet Dancer Joy Womack
Dutch National Ballet's Michaela DePrince
Choreographer James Alsop
Back in 2011 when Joe Lanteri first approached Katie Langan, chair of Marymount Manhattan College's dance department, about getting involved with New York City Dance Alliance, she was skeptical about the convention/competition world.
"But I was pleasantly surprised by the enormity of talent that was there," she says. "His goal was to start scholarship opportunities, and I said okay, I'm in."
Today, it's fair to say that Lanteri has far surpassed his goal of creating scholarship opportunities. But NYCDA has done so much more, bridging the gap between the convention world and the professional world by forging a wealth of partnerships with dance institutions from Marymount to The Ailey School to Complexions Contemporary Ballet and many more. There's a reason these companies and schools—some of whom otherwise may not see themselves as aligned with the convention/competition world—keep deepening their relationships with NYCDA.
Now, college scholarships are just one of many ways NYCDA has gone beyond the typical weekend-long convention experience and created life-changing opportunities for students. We rounded up some of the most notable ones:
We knew that Ivo van Hove and Anne Teresa de Keersmaeker's production of West Side Story would challenge our preconceived notions about the show.
But a recent Vogue story gives us a taste of just how nontraditional the Broadway revival will be. Most notably, van Hove is cutting "I Feel Pretty" and the "Somewhere" ballet, condensing the show into one act to better reflect the urgency of the 48-hour plot. (The choice has been approved by the West Side Story estate, including Sondheim, who has "long been uncomfortable" with some of the "I Feel Pretty" lyrics.)
"The show must go on" may be a platitude we use to get through everything from costume malfunctions to stormy moods. But when it came to overcoming a literal hurricane, Houston Ballet was buoyed by this mantra to go from devastated to dancing in a matter of weeks—with the help of Harlequin Floors, Houston Ballet's longstanding partner who sprang into action to build new floors in record time.