"I Dance To Be A Vessel For Love, Empathy, Generosity and Healing"
When I'm dancing, I feel so alive, like every single part of me that makes me who I am is participating in moving my body.
When I was little, I wouldn't stop dancing if I could help it. One of my favorite things to do was to pretend to be Gene Kelly in the backyard on my parents' deck. As soon as a prairie sun shower came raining down I would drop everything and run out there to sing, laugh and listen to the echo of my tapping toes.
Dancing was my joy and my therapy. I grew up in a home that was often punctuated by anger and deep unhappiness. I often helplessly watched my dad struggle with bouts of depression and aggression.
His unhappiness was particularly hard for me; he was the parent I spent most of my time with and I loved him more than anything. Dance became my answer to this sadness.
While dancing and eventually pursuing my dreams of doing it for a living, I could both escape the darker realities of my life and bring healing into my family's lives. I recognized my joy in dance as a gift from God. I felt strong, intelligent and fearless when I moved my body.
Photo by Paul Kolnik
I dance because it is a language that transcends the language of the tongue. It connects with the heart, and it so beautifully and thoughtfully reflects the human condition. Dancing with the incredible Alvin Ailey American Dance Theater has taught me so much about this.
A favorite moment was when I was invited to perform Alvin Ailey's solo masterpiece Cry as part of an event hosted by a branch of the United Nations that focused on fighting human trafficking. This event brought experts together to use data and their collective intelligence to try to solve one of the world's most urgent problems.
I was there to use my body to offer a story of inextricable struggle, triumph and freedom in the form of 17 intense minutes of dance. I was there to influence hearts and minds in a way that perhaps words can't.
Photo by Andrew Eccles
My mantra when I'm in the wings before I step onstage is "Be generous, without fear or hope." Of course, there are times when I'm afraid I might execute a step poorly, especially if I'm exhausted or injured. And who doesn't hope to hear a roaring applause after something they've done onstage?
But at the end of the day, I believe that dance is an offering best committed to with a sense of purity. I dance to be a vessel for love, empathy, generosity and healing. That is why I dance!
Photo by Andrew Eccles
By the Sunday evening of a long convention weekend, you can expect to be thoroughly exhausted and a little sore. But you shouldn't leave the hotel ballroom actually hurt. Although conventions can be filled with magical opportunities, the potential for injury is higher than usual.
Keep your body safe: Watch out for these four common hazards.
For a Broadway dancer, few opportunities are more exciting than being part of the creation of an original show. But if that show goes on to become wildly successful, who reaps the benefits? Thanks to a new deal between Actors' Equity Association and The Broadway League, performers involved in a production's development will now receive their own cut of the earnings.
Jellicle obsessives, rejoice: There's a new video out that offers a (surprisingly substantive) look at the dancing that went down on the set of the new CATS movie.
When Dr. Mae Jemison was growing up, she was obsessed with space. But she didn't see any astronauts who looked like her.
"I said, Wait a minute. Why are all the astronauts white males?" she recounts in a CNN video. "What if the aliens saw them and said, Are these the only people on Earth?"