The Music That Makes Raja Feather Kelly Feel Like He's In His Own Movie
For choreographer Raja Feather Kelly, music is simple: "There's good music and there's bad music and I love good music and I love to hate bad music."
But, true to form, Kelly—whose past few months have included choreographing the Skittles Super Bowl musical and earning one of our first-ever Harkness Promise Awards—had some surprises up his sleeve when he made us a playlist he describes as "for moody Geminis who work over 12 hours a day and need a playlist that can shuffle and never disappoint."
Though the playlist has some whiplash-inducing twists and turns—from Coheed and Cambria to Carly Rae Jepsen to Missy Elliott to Schubert—there is a through-line: "Music that makes you feel like you're in your own movie. I love walking through the street feeling like I'm on a runway, living my best life."
When He's Listening to This Playlist
"This is my anytime, whatever I need playlist. I listen to a lot of music while I'm commuting and to get myself in a creative space. It's all very cinematic. It feels like music that is the underscore for a scene; the soundtrack for my life."
Why He Can't Stop Listening to Childish Gambino
"I listen to Gambino if I'm feeling a little bit angry or want to have a groove. I get a brand new story every time I listen to it. It's so complex and so loaded that I love listening to it over and over again."
On His '90s Nostalgia
"I'm always wishing for the '90s to come back. I'm nostalgic for a time without cell phones and Facebook and Instagram; when movies were really doing something for me that Instagram and Facebook and cell phones do for us now."
Why He Loves Lana Del Rey's Music
"It makes me feel like I'm in my movie moment. It allows me to be in an emotional state if I need to contemplate something. It makes me feel sexy."
Where He Finds New Songs
"I do Shazam, or I have the sound designers I'm working with make inspirational playlists for me. I'm very invested in pop culture so knowing what's out there is part of my research."
On How Music Drives His Choreography
"All my work is based in soap opera and '90s movies so there's a song for every moment and I'm always trying to find the right one. But I'm trying to make sure my work as a choreographer is doing the work and the song isn't doing the work."
As Dance Magazine editors, we admittedly spend more time than we'd like sifting through stock photography. Some of it is good, more of it is bad and most of it is just plain awkward.
But when paired with the right caption, those shots magically transform from head-scratchers to meme-worthy images that illustrate our singular experience as dancers. You can thank the internet for this special salute to dancer moods.
It's no surprise that dancers make some of the best TED Talk presenters. Not only are they great performers, but they've got unique knowledge to share. And they can dance!
If you're in need of a midweek boost, look no further than these eight presentations from some incredibly inspiring dance artists.
The Primetime Emmy Award nominations are out! Congrats to the seven choreographers who earned nods for their exceptional TV work this year. Notably, that work was made for just two shows, "So You Think You Can Dance" and "World of Dance."
And there was a particularly remarkable snub: While the dance-filled hit "Fosse/Verdon" earned 17 nominations across many of the major categories, Andy Blankenbuehler's fabulous Fosse remixes weren't recognized in the Outstanding Choreography field.
Here are all the dance routines up for Emmys:
"Dancers can do everything these days," I announced to whoever was in earshot at the Jacob's Pillow Archives during a recent summer. I had just been dazzled by footage of a ballet dancer performing hip hop, remarkably well. But my very next thought was, What if that isn't always a good thing? What if what one can't do is the very thing that lends character?