- The Latest
- Breaking Stereotypes
- Rant & Rave
- Dance As Activism
- Dancers Trending
- Viral Videos
- The Dancer's Toolkit
- Health & Body
- Dance Training
- Career Advice
- Style & Beauty
- Dance Auditions
- Guides & Resources
- Performance Calendar
- College Guide
- Dance Magazine Awards
- Meet The Editors
- Contact Us
- Advertise/Media Kit
- Buy A Single Issue
- Give A Gift Subscription
Meet Reid & Harriet, The Trendiest Design Duo in Dance
Reid Bartelme and Harriet Jung were still students at the Fashion Institute of Technology when their first joint commission came along: Creating the costume for a Fall for Dance piece Andrea Miller choreographed on Drew Jacoby. The pair officially joined forces in 2011, forming their eponymous label and building a resumé that includes designing for American Ballet Theatre, New York City Ballet and Miami City Ballet. Reid & Harriet Design's success lies in their ability to mix bold colors and unique textures with an innate understanding of what dancers need to perform comfortably.
They opened up to Dance Magazine about their creative process, where they get inspiration and why they like it when choreographers don't come with too many ideas.
Costumes for choreographer Matthew Neenan. Photo by Erin Baiano, courtesy Reid & Harriet
Bartelme: Fashion made a lot of sense for me when I started transitioning out of dance. I was always crafty—I used photographs of my Halloween costumes growing up to apply to FIT.
Jung: I didn't have any experience in fashion prior to FIT—I majored in molecular and cell biology in college.
Bartelme: When we start a project, a choreographer might come with some dancing done or music picked out. Sometimes they won't have started at all. Harriet and I take whatever we're given and start to source things visually. Then we pull imagery and start sketching together. We'll figure out fabrics and do drawings to send off to the choreographer to see if we're going in the right direction.
Costumes for Kyle Abraham's Counterpoint for Hubbard Street Dance Chicago. Photo via reidandharriet.com
Jung: I always say it's my favorite when choreographers don't come in with too many ideas. The projects that turn out the best are with choreographers who really trust us.
Bartelme: Ideally, we're put in situations where we can draw from art or a movie or a trip we've taken, and bring that into our work.
Bartelme: We also have to be able to shift along with the choreographer's work because sometimes the piece evolves.
Costumes for Justin Peck's Paz de la Jolla. Photo by Paul Kolnick, courtesy NYCB
Jung: We're always learning. We once made a corset bodice with plastic boning for Julie Kent. After dress rehearsal, the bonings were all broken.
Bartelme: This happened four hours before the show, but luckily Tomoko Ueda-Dunbar, ABT's amazing wardrobe supervisor, took out all of the boning and rigged the costume to the tights.
"The Harriet" from Reid & Harriet's ready-to-wear line. Photo via reidandharriet.com
Jung: It's always been one of our ultimate goals to have a unisex, very wearable collection. The ready-to-wear bathing suits we designed last spring were the first logical steps towards that.
Bartelme: Next, we have a show in late March. It's a curated evening in dance at the Guggenheim Museum Works & Process that's based in costumes. It will include five choreographers that I've danced for and we've both designed for, plus a handful of dancers we've worked with. Harriet and I are going to dance, too.
Bartleme, Jung and their cast. Photo via guggenheim.org
Season 2 of World of Dance is almost here! The new season officially kicks off on Tuesday on NBC, and it's bringing a whole new crew of talented dancers with it (plus, some old favorites). Dance pro judges Jennifer Lopez, Derek Hough and Ne-Yo are back, too, with Jenna Dewan serving as the show's host.
Obviously we'll be watching, but just in case you're not completely sold, here's why you're not going to want to miss out:
JLo Might Be Performing
Earlier this week, JLo (who serves as the show's executive producer) posted this insane promo clip to her Instagram. Dancing to a mashup of Cardi B's "Bodak Yellow" and her new single "Dinero," JLo reminded us all of her dance skills while also leading us to believe she might just hit the stage herself for a performance.
Travis Wall draws inspiration from dancers Tate McCrae, Timmy Blankenship and more.
One often-overlooked relationship that exists in dance is the relationship between choreographer and muse. Recently two-time Emmy Award Winner Travis Wall opened up about his experience working with dancers he considers to be his muses.
"My muses in choreography have evolved over the years," says Wall. "When I'm creating on Shaping Sound, our company members, my friends, are my muses. But at this current stage of my career, I'm definitely inspired by new, fresh talent."
Wall adds, "I'm so inspired by this new generation of dancers. Their teachers have done such incredible jobs, and I've seen these kids grown up. For many of them, I've had a hand in their exposure to choreography."
A few weeks ago, American Ballet Theatre announced the A.B.T. Women's Movement, a new program that will support three women choreographers per season, one of whom will make work on the main company.
"The ABT Women's Movement takes inspiration from the groundbreaking female choreographers who have left a lasting impact on ABT's legacy, including Agnes de Mille and Twyla Tharp," said artistic director Kevin McKenzie in a press release.
Hypothetically, this is a great idea. We're all for more ballet commissions for women. But the way ABT has promoted the initiative is problematic.
On the occasion of its 70th anniversary, the Ballet Nacional de Cuba tours the U.S. this spring with the resolute Cuban prima ballerina assoluta Alicia Alonso a the helm. Named a National Hero of Labor in Cuba, Alonso, 97, has weathered strained international relations and devastating fiscal challenges to have BNC emerge as a world-class dance company. Her dancers are some of ballet's best. On offer this time are Alonso's Giselle and Don Quixote. The profoundly Cuban company performs in Chicago May 18–20, Tampa May 23, Washington, D.C., May 29–June 3 and Saratoga, New York June 6–8.
Considering we practically live in our dance clothes, there's really no such thing as having too many leotards, tights or leggings (no matter what our mom or friends say!). That's why we treat every sale as an opportunity to stock up. And thanks to the holiday weekend, you can shop all of your dancewear go-tos or try something totally new for as much as 50% less than the usual price.
Here are the eight sales we're most excited about—from online options to in-store retailers that will help you find the perfect fit. Happy Memorial Day (and shopping)!
Now through Monday, Danskin's site will automatically take 25% off your entire purchase at checkout. Even new items like their Pintuck Detail Floral Print Sports Bra and Pintuck Detail Legging (pictured here) are fair game.
"The sun may be shining brightly, but we are not in a very sunny mood today!" said New York State assemblywoman Linda Rosenthal during yesterday's rally for the Artists of Ailey.
The dancers and stage crew are demanding increased wages and more comprehensive benefits, what they have termed "reaching for the standard" and "fair wages."
Pain is an inevitable part of a dancing life and dancers have a high tolerance for it, according to Sean Gallagher, a New York physical therapist whose practice includes many professional performers. "So when dancers complain, it really means something," he says.
But women and men experience pain differently, and tend to be treated for it differently as well. Female dancers need to understand those differences before they go to a doctor, so they can make sure they get treated promptly and effectively.
Rebecca Warthen was on a year-long assignment with the Peace Corps in Dominica last fall when a storm started brewing. A former dancer with North Carolina Dance Theatre (now Charlotte Ballet) and Columbia City Ballet, she'd been sent to the Caribbean island nation to teach ballet at the Dominica Institute of the Arts and in outreach classes at public schools.
But nine and a half months into her assignment, a tropical storm grew into what would become Hurricane Maria—the worst national disaster in Dominica's history.
Sidra Bell is one of those choreographers whose movement dancers are drawn to. Exploring the juxtaposition of fierce athleticism and pure honesty in something as simple as stillness, her work brings her dancers to the depths of their abilities and the audience to the edge of their seats.