Originally from Paris, Liliane Montevecchi danced for Roland Petit as a young ballet dancer. In the 1950's she signed with MGM studios. Her credits with them include Daddy Long Legs and King Creole (starring Elvis Presley.) In 1958 she performed in the Broadway musical revue La Plume de Ma Tante. She went on to star in the famous Les Folies Bergeres. She was spectacular in the show with her gorgeous body, Italian passion and French glamour.
Liliane was also an elegant, classy and dynamic actress. She looked like a cover girl, and possessed the lean, long physique of a ballerina her entire life. She was on a carefully planned schedule with her eating, always aware that she had to fit into those revealing costumes. When it came to wearing the designers' pieces, she was in a class of her own. Her mother designed for French royalty, and it showed. Liliane recalls in an interview that she never saw her mother look bad. She was raised to be conscious of the image she presented to the public, and it paid off in her extensive career.
At age fifty, Liliane won her first Tony award in 1982 performing in Nine, for Best Featured Actress in a Musical. The award-winning show was directed by Tommy Tune. They had a special connection. He knew how to use her, and she excelled and achieved Broadway stardom in his work. Later in her career she starred again for Tune in the Broadway hit Grand Hotel. Although he made changes to her character very close to the opening of the show, she followed his direction and applied it with meticulous discipline.
She was known by her friends and fellow cast members for her vibrant energy, happiness and discipline. Cast members of Grand Hotel fondly remember her warming up for the show each night with a ballet barre, accompanied by her music on a small tape recorder.
She died of colon cancer on June 29th in her home in New York. She was 85. She had continued to perform her nightclub act until the age of 83. Steven Minichiello hosted a special memorial for the beloved star at Gothan Hall.
The cast of Grand Hotel remember Liliane
On July 9th , the entire cast of the Broadway hit, Grand Hotel, stood in a circle led by Tommy Tune in front of the theater. Liliane's name was written on the ground in pink chalk by Tune with a pink heart circled around it. Each performance had started that way, with the cast saying a prayer together in a circle. Liliane exited New York the same way, reunited with friends, performers and loved ones.
Pacific Northwest Ballet principals Rachel Foster and Jonathan Porretta took their final curtain call on June 9, 2019. Photo by Lindsay Thomas, Courtesy PNB
We all know dance careers are temporary. But this season, it feels like we're saying goodbye to more stars than usual.
Many have turned to social media to share their last curtain calls, thoughts on what it feels like to say farewell to performing, and insights into the ways that dancing has made them who they are. After years of dedicating your life to the studio and stage, the decision to stop dancing is always an emotional one. Each dancer handles it in their own way—whether that means cheekily admitting to having an existential crisis, or simply leaving with no regrets about what you did for love.
We will miss these dancers' performances, but can't wait to see what awaits each in their next chapters.
A previous lab cycle. Photo by Evan Zimmerman/MurphyMade, Courtesy RRR Creative
Choreographic incubator Broadway Dance Lab has recently been rechristened Dance Lab New York. "I found the nomenclature of 'Broadway' was actually a type of glass ceiling to the organization," says choreographer Josh Prince, who founded the nonprofit in 2012.