Remembering Peter Frame, Former NYCB Dancer And SAB Faculty Member
Peter was deeply loved by his students, friends, and fellow dancers. He was known for his kindness, sensitivity, and generosity of spirit. Friends described him as caring and sweet. Several recalled that he always made time for conversation with them when they ran into him on the Upper West Side. He was very aware and sensitive to people's feelings. The daily life of a ballet dancer is extremely challenging and demanding. Peter demonstrated a deep empathy for his dancers.
Cheerful and optimistic, he enjoyed an impressive forty year association with the prestigious New York City Ballet. He studied at the School of American Ballet, and became a company member under the direction of George Balanchine. He was promoted to principal status. It was an exciting and productive time.
In interviews with the press, Peter expressed deep admiration for Balanchine's genius. He consistently sounded excited, positive and grateful for his opportunities. He was forward thinking and intelligent. When he was younger, he already saw himself transitioning into physical therapy. His vision was on, as he later became the department head for the men's weight training division at SAB. He was extremely popular.
Peter was also exhilarated by his work with Paul Taylor, who died one day before Peter did. Highly committed to his career, he was deeply respected and admired by his peers. Attractive, lean and photogenic, his beauty was captured in many of the company photographs. He had impressive flexibility, and exhibited a very spiritual quality on stage. It shined through his face and aura. Dancers from his era remember him as "always working," a winner.
He will be dearly missed, especially by his ballet family at NYCB and SAB. They will love him forever. He was sixty-one at the time of his death.
Social media has made the dance world a lot smaller, giving users instant access to artists and companies around the world. For aspiring pros, platforms like Instagram can offer a tantalizing glimpse into the life of a working performer. But there's a fine line between taking advantage of what social media can offer and relying too heavily on it.
If you think becoming a trainee or apprentice is the only path to gaining experience in a dance company environment, think again.
The University of Arizona, located in the heart of Tucson, acclimates dancers to the pace and rigor of company life while offering all the academic opportunities of a globally-ranked university. If you're looking to get a head-start on your professional dance career—or to just have a college experience that balances company-level training and repertory with rigorous academics—the University of Arizona's undergraduate and graduate programs have myriad opportunites to offer:
Yes, we realize it's only August. But we can't help but to already be musing about all the incredible dance happenings of 2019.
We're getting ready for our annual Readers' Choice feature, and we want to hear from you about the shows you can't stop thinking about, the dance videos that blew your mind and the artists you discovered this year who everyone should know about.
On August 19, 1929, shockwaves were felt throughout the dance world as news spread that impresario Sergei Diaghilev had died. The founder of the Ballets Russes rewrote the course of ballet history as the company toured Europe and the U.S., championing collaborations with modernist composers, artists and designers such as Igor Stravinsky, Pablo Picasso and Coco Chanel. The company launched the careers of its five principal choreographers: Michel Fokine, Vaslav Nijinsky, Léonide Massine, Bronislava Nijinska and George Balanchine.