Osamu Inoue, courtesy Harris

Dance Magazine Award Honoree: Rennie Harris

It makes sense that Dance Magazine long ago dubbed Rennie (Lorenzo) Harris the "high priest of hip hop." When the often shy, Philadelphia-born choreographer founded his company Rennie Harris Puremovement in 1992, he planted a prodigious seed in the dance world. Then and now, Harris' mission has been to examine, preserve and share the culture of hip hop, decisively away from the commercially exploited view.

Harris remembers that when he started in the '90s, it was rough; a lot of his work was direct, so picketing and policing RHPM shows was the norm. But that time also harkened the birth of his well-thought-out launch of street dance onto the concert stage. There was the politically charged March of the Antmen, the pointed look at brotherhood and neighborhoods in P-Funk, and the tour de force Students of the Asphalt Jungle. His chilling solos, Lorenzo's Oil and Endangered Species, screamed chaos, contradiction and culture. In the 2000s, Rome & Jewels, his first evening-length work, garnered a Bessie Award. Facing Mekka followed, celebrating women of hip hop.


Always with one foot in the streets and the other on the stage, time spent teaching in the studio has been an extension of his ongoing hip-hop ministry. With his signature cap, and a towel hanging from his shoulder, before any movement, he guides his classes in a fact-filled discussion on tradition, the elders, and then he breaks down the choreography (aka "routines"). This is where Harris makes all of us rethink the possibilities of bridging the streets and the stage. As he puts it, "At the end of the day it's not just street dance, it's a culture."

He's Dr. Rennie Harris now, his Illadelph Legends of Hip-hop Festival, begun in 1997, is ever strong, and he heads four companies: RHPM; the youth-driven RHAW (Rennie Harris Awe-Inspiring Works); Rennie Harris Grass Roots, with mixed-level and polycultural dancers; plus the all-female THIS WOMAN.

For his unwavering efforts he has received numerous accolades, including three Black Theater Alliance Awards for best choreography, the Herb Alpert Award in the Arts, a Philadelphia Rocky Award, a Guggenheim Fellowship, a Pew Fellowship, and a Governor's Awards for the Arts Artist of the Year nod, to name just a few. Harris' cultural cipher is alive and well.

Courtesy Harris

For information about the Dance Magazine Awards ceremony on December 4, click here.

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5 Self-Soothing Exercises You Can Do to Calm Your Anxiety

Physical stillness can be one of the hardest things to master in dance. But stillness in the bigger sense—like when your career and life are on hold—goes against every dancers' natural instincts.

"Dancers are less comfortable with stillness and change than most," says TaraMarie Perri, founder and director of Perri Institute for Mind and Body and Mind Body Dancer. "Through daily discipline, we are trained to move through space and are attracted to forward momentum. Simply put, dancers are far more comfortable when they have a sense of control over the movements and when life is 'in action.' "

To regain that sense of control, and soothe some of the anxiety most of us are feeling right now, it helps to do what we know best: Get back into our bodies. Certain movements and shapes can help ground us, calm our nervous system and bring us into the present.

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