Broadway dancer Jonalyn Saxer is a dazzling juxtaposition of old and new. Onstage, her taps echo with the zing of traditional hoofing, while her long lines, playful hip-hop hits, comedic timing and stellar voice deliver what’s expected of a contemporary triple threat. A favorite of choreographers, her versatile skill set got her cast in her third Broadway show: Holiday Inn, the New Irving Berlin Musical, a feel-good tale about trading the big city for the country.
Saxer (center) in Holiday Inn’s showstopping tap-dance-meets-jump-rope number. PC Joan Marcus, Courtesy Polk & Co
Broadway shows: Currently in the ensemble of Holiday Inn. In the past, she was a swing in Honeymoon in Vegas and Bullets Over Broadway.
Hometown: Agoura Hills, CA
Training: Ballet, jazz and tap at California Dance Theatre; BFA in musical theater from Syracuse University
Broadway debut: Saxer was wrapping up college when she received a callback for Susan Stroman’s production of The Merry Widow at the Metropolitan Opera. She booked the gig, but when a swing position opened in Stroman’s new Bullets, the choreographer hired Saxer for that instead.
Defining her brand: Though Saxer is largely hired as a dancer, using the label with confidence was initially challenging. “Growing up,” she says, “I didn’t consider myself a full-out dancer, but more of a tapper. Syracuse gave me the confidence to be a triple threat, with ‘dancer’ coming first.”
Learning to swing: In Bullets, Saxer relied on her swing cohorts and a program called Stage Write that allows users to map out choreography clearly. Honeymoon, however, changed continuously during its initial performances. “For Honeymoon, I had four sets of notes,” says Saxer. “There’s nothing harder than swinging in an original cast!” Now, she’s taking a break from multitasking and is enjoying fleshing out her ensemble track.
What others are saying: “She’s very much a chameleon, adapting to the time period, setting and genre,” says Holiday Inn choreographer Denis Jones. “I appreciate a dancing actor: someone who’s able to go beyond the steps and actually experience a truthful moment through dance. That’s what Jonalyn delivers.”
On the horizon: Saxer plans to continue performing and working as a dance captain, a role she had in the regional show Moonshine: That Hee Haw Musical, also choreographed by Jones. Eventually, she’d like to add choreography to her plate. “That’s my ultimate dream. But for now, I believe you have to go where your jobs take you. You can’t plan it,” she says. “I audition for everything. Until something is for sure, you have to keep putting yourself out there.”