Naya Samuel, Courtesy AAADT

Celebrating Dance Magazine Award Honoree Robert Battle

This week we're sharing tributes to all of the 2021 Dance Magazine Award honorees. For tickets to our hybrid ceremony taking place December 6, visit dancemediafoundation.org.

Robert Battle once told an interviewer on PBS, "Something about movement, very early on for me, signified life." As a youngster, it wasn't likely that he would become a dancer; Battle's legs were so bowed he had to wear braces at night. However, once he no longer needed them, he made up for lost time by dancing every chance he could. When he wasn't dancing, he liked to don a bathrobe and pretend to preach, sharpening the oratorical skills that he now puts to regular use as artistic director of Alvin Ailey American Dance Theater. Today, the warmth and charm of his pre-curtain speeches and interviews make not just Ailey but modern dance feel more accessible for all of us.


Diligent and talented, Battle trained at Miami's New World School of the Arts, then Juilliard. He danced with Parsons Dance before starting his own company, Battleworks. His choreography, including the iconic Takademe and The Hunt, tends to be challenging, powerful, intriguing and sometimes offbeat. Many works are punctuated by movements evocative of his martial arts training.

When Judith Jamison passed the Ailey torch to Battle in 2011, the then-38-year-old became just the third artistic director of the historic dance company. Since then, Battle has forged several pathways for other choreographers to flourish. Right away, Battle established the New Directions Choreography Lab, giving emerging artists the resources to create new works. Under his leadership, Ailey has also expanded its storytellers to include dynamic choreographers, such as Kyle Abraham, Aszure Barton and Wayne McGregor. Outstanding dancemaker Jamar Roberts became the company's first resident choreographer in 2019. A year earlier, Battle had hired Rennie­ Harris as Ailey's first artist in residence; through Harris'­ works, such as the now-signature Lazarus, the Ailey company has further delved into the richness and diversity within African-American culture, and broadened the vocabulary with which it does so.

Battle often quotes Alvin Ailey, stating, "Dance comes from the people and should always be delivered back to the people." During Battle's tenure, the Ailey brand has remained synonymous with authenticity, artistic integrity, inclusive storytelling and culture of the highest quality. Through his steadfast grace, humility, wit and assiduousness, Battle has helped the Ailey company, 60-plus-years on, to continue evolving, flourishing and growing ever more popular.



Join
Dance Magazine in celebrating Robert Battle at the December 6 Dance Magazine Awards ceremony. Tickets are now available here.

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AMDA students learn how to present their best selves on camera. Photo by Trae Patton, Courtesy AMDA

AMDA's 4 Tips for Acing Your Next Audition

Ah, audition day. The flurry of new choreography, the long lines of dancers, the wait for callbacks. It's an environment dancers know well, but it can also come with great stress. Learning how to be best prepared for the big day is often the key to staying calm and performing to your fullest potential (and then some).

This concept is the throughline of the curriculum at American Musical and Dramatic Academy, where dance students spend all four years honing their audition skills.

"You're always auditioning," says Santana Trujillo, AMDA's dance outreach manager and a graduate of its BFA program. On campus in Los Angeles and New York City, students have access to dozens of audition opportunities every semester.

For advice on how dancers can put their best foot forward at professional auditions, Dance Magazine recently spoke with Trujillo, as well as AMDA faculty members Michelle Elkin and Genevieve Carson. Catch the whole conversation below, and read on for highlights.

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July 2021