Rolex Arts Initiative Names Ratmansky as a Mentor

Today, the Rolex Mentor and Protégé Arts Initiative announced that Alexei Ratmansky will be one of the seven master artists participating in its mentor/protégé program in the coming year. This is the 11th year of Rolex’s biannual program; since 2002, mentoring choreographers have included JiÅ™í Kylián, William Forsythe, Anne Teresa De Keersmaeker and Trisha Brown. (Cool fact: This year’s theater mentor is lighting design guru Jennifer Tipton—a 1991 Dance Magazine Award recipient. Ratmansky also received a DM Award in 2011.)

 

So, what happens next: The Rolex Arts Initiative will nominate three exemplary candidates to serve as Ratmansky’s protégé, and Ratmansky will then choose which young artist he’d like to work with for the six-week period. In addition to his or her mentor's guidance, each protégé will receive a large grant—25,000 Swiss francs—to participate in the program, and potentially another 25000 francs to complete a new work.

 

The protégés won’t be announced until mid 2014, but I think it may be safe to place a few bets on those in the limelight. Justin Peck? Michelle Dorrance? Kyle Abraham? Liam Scarlett? It could be one of those four well-deserving candidates’ years to shine—I’d be surprised if their names didn’t at least come up in the discussions.

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How Do You Make a Theater Safe Again?

Last summer, months before the word "coronavirus" became part of our daily lexicon, American Repertory Theater artistic director Diane Paulus started working with an unexpected expert: Joseph Allen, an assistant professor of exposure assessment science at Harvard's H.T. Chan School of Public Health and head of the university's Healthy Buildings Program. According to Boston Magazine, Paulus was starting to plan out A.R.T.'s new venue at Harvard, and wanted to design a "healthy" theater.

So when COVID-19 began shutting everything down, the team had already put in months of work considering how to make a performing arts venue safe. To share their ideas with other theaters, A.R.T. published a blueprint online that will be continually updated. Although the "Roadmap for Recovery and Resilience for Theater" is not meant to be comprehensive or prescriptive, it offers several insightful factors to consider:

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