Given that almost every ballet performance requires your hair to be in a bun, it can be tricky to master Romeo and Juliet's Italian Renaissance hairstyles. Not for ABT wig and makeup supervisor Rena Most and wig and makeup assistant Jill Haley. The duo is responsible for all three hairstyles Juliet wears onstage, following the exact looks used in the company premiere of the Sir Kenneth MacMillan ballet in 1985. Check out Most and Haley in action, below, and keep scrolling for the step-by-step breakdown.
When it's Nardia Boodoo's turn to play her music in her dressing room at The Washington Ballet, it's an event. "Everyone is like, 'That's such a cool song,' and wants me to send it to them," she says. "I feel like I have the better taste in my dressing room."
That's partially because she mostly stays away from trendy pop hits, opting instead for international music influenced by her Trinidadian heritage. "I could not even tell you the songs that are on the Top 40 list," she says. "If everyone else likes it, I want something different."
Boodoo made us a playlist—mostly "groovy international music"—and told us about how she finds her sought-after songs: