5 Rompers to Complete Your Après-Class Wardrobe
Summertime...and the dressing is eeeeeeeeeeasy. When you're heading straight from the dance studio to the pool or beach, you don't want to be messing around with complicated cover-ups. That's where these 5 MVPs of the romper room come in, bringing their breezy style to your pre-class, post-rehearsal, and everything-in-between looks. Oh, and three out of the five are on sale right now. So what are you waiting for? Go ahead and romper-ound! (Sorry, couldn't resist.)
The Soline, by Wear Moi
This oversized cap sleeve romper with a half zip in the front features four-way stretch and extra-comfy wide leg openings. You can get it now on Wear Moi's US website for less than half of its original price.
The Lace-Trimmed Romper, by Danskin
Right now, this flirty and feminine look is on sale for $15 off the original price. With side slit pockets, a gathered elastic waist, and ruched detailing at the back, it's tailor-made for staying cool on a summer night in.
The Reversible Romper, by Covet Dance
Wear this one-piece with a demure scoop-neck, as shown, or flip things around to create a crossover deep V neckline. (Psst: It's on sale right now for just $28, down from $46!)
The Olympia Romper, by Jo+Jax
Whether in black-and-white stripe, solid black, or peach stripe (shown), the trendy open back and drapey neckline make the Olympia just as at home on the beach as it is in the studio. Bonus: The whole crew can wear it—it comes in sizes Youth Small to Adult Large!
The S&B Romper, by Sugar and Bruno
We'd never forget you, itty-bitties! Sugar and Bruno's namesake romper is made from their softest terry yet and comes in sizes ranging from XXS (aka child one-size, shown) to adult large.
Jennifer Kahn knew the theater industry could do better. As a professional stage manager for 17 years she worked on regional, off-Broadway and Broadway shows. Nearly each time a show closed, something unsettling happened: "I would watch them throw away our shows. All of the beautiful artwork by my friends in the paint shop would go in the trash." The elaborate backdrops? Gone.
But she had an idea: What if the material used in the backdrops and legs could be upcycled into something new? And what if theater lovers could literally keep a piece of a beloved show?
"The show must go on" may be a platitude we use to get through everything from costume malfunctions to stormy moods. But when it came to overcoming a literal hurricane, Houston Ballet was buoyed by this mantra to go from devastated to dancing in a matter of weeks—with the help of Harlequin Floors, Houston Ballet's longstanding partner who sprang into action to build new floors in record time.
For decades the name Alicia Alonso has been virtually synonymous with Ballet Nacional de Cuba, the company she co-founded in Havana in 1948. Alonso died on October 17, just shy of what would have been her 99th birthday. In recent years, she had stepped back from day-to-day decision-making in the company. As if preparing for the future, in January, the company's leading ballerina, 42-year-old Viengsay Valdés, was named deputy director, a job that seems to encompass most of the responsibilities of a traditional director. Now, presumably, she will step into her new role as director of the company. Her debut as curator of the repertory comes in November, when the troupe will perform three mixed bills selected by her at the Gran Teatro de la Habana Alicia Alonso. The following has been translated from a conversation conducted in Spanish, Valdés' native tongue.
New York City Ballet principal Sara Mearns wasn't sure she was strong enough. A ballerina who has danced many demanding full-length and contemporary roles, she was about to push herself physically more than she thought was possible.
"I said, 'I can't. My body won't,' " she says. "He told me, 'Yes, it will.' "
She wasn't working with a ballet coach, but with personal trainer Joel Prouty, who was asking her to do squats with a heavier barbell than she'd ever used.