Misa Kuranaga and Sasha Mukhamedov Are Joining San Francisco Ballet
San Francisco Ballet just announced some major news: longtime Boston Ballet star Misa Kuranaga will be joining the company as a principal dancer for the 2019-20 season, while Dutch National Ballet principal Sasha Mukhamedov will join as a soloist. They join a slew of newly promoted SFB principals and soloists, announced earlier this year.
Kuranaga and Angelo Greco in Helgi Tomasson's Soirées Musicales, part of SFB's opening night gala in January.
Erik Tomasson, Courtesy SFB.
Kuranaga's appointment marks a full-circle moment. Originally from Japan, she danced with SFB for one year as an apprentice in 2001. When she wasn't taken into the company, she spent a year refining her technique at the School of American Ballet before joining Boston Ballet's corps in 2003. Since then, she's quickly risen through the ranks, becoming one of the company's biggest draws. Earlier this year she returned to SFB to perform as a guest artist in the company's opening night gala.
Mukhamedov in Balanchine's Apollo.
Altin Kaftira, Courtesy Dutch National Ballet.
Mukhamedov, on the other hand, has spent her entire career at Dutch National Ballet, joining as an aspirant in 2008 and rising to principal dancer by 2017. The daughter of legendary Bolshoi and Royal Ballet star Irek Mukhamedov, she trained at the Royal Ballet School as well as privately with her mother, former Bolshoi soloist Masha Mukhamedov. In 2017 she talked candidly with Pointe about living up to her famous parents' reputations: "There are times when people recognize my name, and it's instant pressure."
SFB also announced that former Polish National Ballet demi-soloist Bianca Teixeira will be joining the company's corps de ballet. Meanwhile, SFB apprentices Leili Rackow, Estéban Cuadrado, Max Föllmer, Joshua Jack Price, and Jacob Seltzer have been promoted to the corps, joining Jasmine Jimison, who was promoted in March. And finally, trainees SunMin Lee, Tyla Steinbach, Rubén Cítores, Lleyton Ho and Adrien Zeisel have been named apprentices.
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Just hearing the word "improvisation" is enough to make some ballet dancers shake in their pointe shoes. But for Chantelle Pianetta, it's a practice she relishes. Depending on the weekend, you might find her gracing Bay Area stages as a principal with Menlowe Ballet or sweeping in awards at West Coast swing competitions.
She specializes in Jack and Jill events, which involve improvised swing dancing with an unexpected partner in front of a panel of judges. (Check her out in action below.) While sustaining her ballet career, over the past four years Pianetta has quickly risen from novice to champion level on the WCS international competition circuit.
Sean Dorsey was always going to be an activist. Growing up in a politically engaged, progressive family in Vancouver, British Columbia, "it was my heart's desire to create change in the world," he says. Far less certain was his future as a dancer.
Like many dancers, Dorsey fell in love with movement as a toddler. However, he didn't identify strongly with any particular gender growing up. Dorsey, who now identifies as trans, says, "I didn't see a single person like me anywhere in the modern dance world." The lack of trans role models and teachers, let alone all-gender studio facilities where he could feel safe and welcome, "meant that even in my wildest dreams, there was no room for that possibility."
It's hour three of an intense rehearsal, you're feeling mentally foggy and exhausted, and your stomach hurts. Did you know the culprit could be something as simple as dehydration?
Proper hydration helps maintain physical and mental function while you're dancing, and keeps your energy levels high. But with so many products on the market promising to help you rehydrate more effectively, how do you know when it's time to reach for more than water?