Go behind the scenes at our July 2015 cover shoot with Melissa Hamilton!
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Hamilton may pave the way for hip hop in musicals A rap breaks out. Photo by Joan Marcus, Courtesy Hamilton. Given the Revolutionary War battles, pistol duels, political rivalries, sex scandals and explosive cabinet meetings taking place during Alexander Hamilton’s short, busy whoosh through American history, his life hardly seems to have the makings of […]
I still remember the day at the office when I heard that Andy Blankenbuehler was going to choreograph for a hip-hop musical about Alexander Hamilton. Interesting, I thought, sincerely intrigued, yet skeptical. An urbanized song-and-dance story about the American Revolution? What an odd choice for a Broadway-aimed show. But hey, crazier things have happened. The […]
For years, Dance Magazine readers have turned to Dr. Linda Hamilton to provide guidance on all things dance in her monthly column “Advice for Dancers.” Here, in a video with excerpts from a recent lecture Hamilton gave at the Baryshnikov Arts Center in New York City, she shares several columns’ worth of advice on how to manage […]
For Deaf audiences, watching performances with traditional sign language interpretation can feel like watching a tennis match: Their focus has to toggle between whatever is happening onstage and the interpreter, often off to the side, who might be communicating what the music sounds like or what’s being said. That’s if the performance even has an interpreter, which all too often is not the case.
On one hand, doubling down on your primary dance style could supercharge your progress going into the following school year. But when it comes to your overall growth as a dancer, is it better to try something new? There are pros and cons to both options.
Electric performances, thought-provoking choreography, buzzy bodies of work—the artists on our annual list of dancers, choreographers, directors, and companies poised for a breakout share an uncanny knack for arresting attention. They’ve been turning heads while turning what’s expected—in a performance, from a career trajectory—on its head. We’re betting we’ll be seeing a lot more of them this year, and for many years to come.
His brilliant dancing and magnetic presence wowed Broadway in “Ain’t Too Proud”; landed him the lead (which he eventually relinquished) of “MJ: The Musical”; and will be on display in the title role of Tony Goldwyn and Savion Glover’s reimagined “Pal Joey” at New York City Center this month. But ask Ephraim Sykes for his story and he starts with, “My mother and father fell in love…”