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Secrets of Longevity: 6 Tips From 20-Year Veteran Ballerina Xiao Nan Yu
What does it take to sustain a 20-year ballet career? The luminous principal dancer Xiao Nan Yu, who just marked two decades with National Ballet of Canada, shares how she's kept her body strong for long-term success:
Find Balance in Your Body
Naturally flexible, Yu spends most of her cross-training time counter-acting her body's elasticity. "Having a flexible body is a treat, but it can sometimes be a curse," she says. To control her limbs, she strengthens her core with lots of planks, especially during her daily pre-class warm-up (which can take up to an hour). She also books private Pilates sessions with NBoC's instructor whenever her schedule allows, and does yoga videos or a half-hour of floor barre at home on the weekends.
Don't Skip Morning Class
Aaron Vincent Elkaim, Courtesy NBoC
"Ballet class is like brushing my teeth," says Yu. "I have to start every day with it or else my body does not feel right."
Go To Bed Early
Quinn B. Wharton
Now that she's a mom (her daughters are ages 5 and 12), Yu wakes up around 6:30 or 7:30 am. She's forced to go to bed earlier, which she feels actually benefits her body: Studies have shown it increases sleep quality and could be connected to improved heart health.
Strengthen Your Weaknesses
Due to an extra bone in her left foot, that ankle often rolls in. To build strength to counteract that habit, Yu practices this exercise in soft ballet slippers:
1. Holding the barre with both hands, she rises to demi-pointe with both feet in parallel.
2. From there, she rises onto full pointe using just the strength of her foot muscles, then slowly rolls down.
She repeats this with both feet, and then on single legs, first turned in and then turned out. She'll add an extra set or two on her left side.
Just Keep Drinking
Yu drinks at least three bottles of water and sports drinks every day. Her favorite brand is BioSteel, which is filled with electrolytes but is low in calories and has no sugar. "It has a bubble gum flavor! Even my kids like it."
Don't Waste Energy Stressing Out
Karolina Kuras, courtesy NBoC
Yu found her body grew even looser after going through pregnancy. But having children also made her mind tougher. "My muscles don't fight me as much," she says. "After having children, I don't think, 'Oh, holding my leg up is so difficult.' It's just something I have to do, so I do it. Maybe I just don't have much time to agonize over it anymore. My daughters have made me realize how precious my time is when I come to work."
Choreographer Sergio Trujillo asked the women auditioning for ensemble roles in his newest musical to arrive in guys' clothing—"men's suits, or blazers and ties," he says. He wasn't being kinky or whimsical. The entire ensemble of Summer: The Donna Summer Musical is female, playing men and women interchangeably as they unfold the history of the chart-busting, Grammy-winning, indisputable Queen of Disco.
Have a scroll through Agnes Muljadi's Instagram feed (@artsyagnes), and you'll notice that in between her ballet shots is a curated mix of lifestyle pics. So what exactly sets her apart from the other influencers you follow? Muljadi has made a conscious effort to only feature natural beauty products, sustainable fashion and vegan foods. With over 500k followers, her social strategy (and commitment to making ethical choices) is clearly a hit. Ahead, learn why Muljadi switched to a vegan lifestyle, and the surprising way it's helped her dance career.
When I wrote about my struggle with depression, and eventual departure from dance because of it, I expected criticism. I was prepared to be challenged. But much to my relief, and horror, dancers from all over the world responded with support and stories of solidarity. The most critical response I saw was this one:
"Dance isn't for everyone."
This may as well be a mantra in the dance world. We have become entrenched in the Darwinian notion that the emotionally weak will be weeded out. There is no room for them anyway.
He may not be a household name, but you probably know Brandon Stirling Baker's work. The 30-year-old has designed the lighting for most of Justin Peck's ballets—including Heatscape for Miami City Ballet, and the edgy The Times Are Racing for New York City Ballet—but also Jamar Roberts' new Members Don't Get Weary at Alvin Ailey American Dance Theater and a trio of Martha Graham duets for L.A. Dance Project.
He's been fascinated by lighting ever since he attended a public performing arts middle school in Sherman Oaks, California, where he had his first experiences lighting shows. He also has a background in music (he plays guitar and bass) and in drawing. Both, he says, are central to the way he approaches lighting dance.
Update: Due to an overwhelming response, the in-person audition has been moved to a larger location to accommodate more dancers. See details below.
For the first time in more than 10 years, Janet Jackson is holding an open audition for dancers.
Even better? You could land a spot in her #JTribe simply by posting a video on social media.
What does it take to become an international superstar? Carlos Acosta might have a few ideas.
At the Oxford Literary Festival earlier this month, the BBC sat down with Acosta to ask for his life lessons. His answers—which he says he will pass on to his kids one day—give incredible insight into how he's become such a beloved worldwide success.
The ballet world will converge on San Francisco this month for San Francisco Ballet's Unbound: A Festival of New Works, a 17-day event featuring 12 world premieres, a symposium, original dance films and pop-up events.
"Ballet is going through changes," says artistic director Helgi Tomasson. "I thought, What would it be like to bring all these choreographers together in one place? Would I discover some trends in movement, or in how they are thinking?"
Several weeks ago, Youth America Grand Prix announced that the lineup for tonight's Stars of Today Meet the Stars of Tomorrow gala at Lincoln Center's Koch Theater would include Bolshoi Ballet principal Olga Smirnova and first soloist Jacopo Tissi. But an article in Page Six published last night states that Smirnova and Tissi were denied visas to enter the US.
YAGP organizers "believe the Department of Homeland Security's decision may be motivated by the myriad tensions between the superpowers," says the piece, noting that "Smirnova is so revered in Moscow that her treatment could create a Russian backlash."
Is it any surprise a world premiere by choreographer Uri Sands and musician Justin Vernon, both renowned for the profound beauty and gorgeous musicality of their work, immediately sold out? We're hungry for creative collaborations that take reflective deep dives into what constitutes our humanity—and then there's the undeniable cool factor. Nine members of TU Dance will perform alongside Bon Iver (Vernon's band) during the evening-length piece. Presented as part of the Saint Paul Chamber Orchestra's Liquid Music Series. April 19–21. The work will also appear at the Hollywood Bowl Aug. 5. tudance.org.