Dance History

90 Years Ago Today: The Death of Sergei Diaghilev

Sergei Diaghilev, who was terrified of the sea, posing with a life preserver aboard a ship. Photo courtesy DM Archives

On August 19, 1929, shockwaves were felt throughout the dance world as news spread that impresario Sergei Diaghilev had died. The founder of the Ballets Russes rewrote the course of ballet history as the company toured Europe and the U.S., championing collaborations with modernist composers, artists and designers such as Igor Stravinsky, Pablo Picasso and Coco Chanel. The company launched the careers of its five principal choreographers: Michel Fokine, Vaslav Nijinsky, Léonide Massine, Bronislava Nijinska and George Balanchine.


Though the figure that held it all together seems larger than life, Diaghilev had at least one very human foible: a deep dread of traveling by sea. In an interview conducted in spring 1929 that was lost until Dance Magazine published it in September 1979, he confessed, "I am still frightfully upset at the idea of going on a boat and feel sick six months ahead if I know that I only have to cross the Channel...Our last tour in America took place in 1918, and I do not think I shall ever go there again...a fortuneteller whom I consulted in Paris told me that if I made another sea voyage it would be the end of me and that I should be drowned." He died of diabetes later that year.

We pulled a few favorite photos from our archives of the five choreographers Diaghilev championed.

Michel Fokine and his son, Vitale

Courtesy DM Archives

Day in the Life

Most people may know Derek Dunn for his impeccable turns and alluring onstage charisma. But the Boston Ballet principal dancer is just as charming offstage, whether he's playing with his 3-year-old miniature labradoodle or working in the studio. Dance Magazine recently spent the day with Dunn as he prepared for his debut as Albrecht in the company's upcoming run of Giselle.

Dance Training
Rosalie O'Connor, Courtesy Mark Morris Dance Group

You know compelling musicality when you see it. But how do you cultivate it? It's not as elusive as it might seem. Musicality, like any facet of dance, can be developed and honed over time—with dedicated, detailed practice. At its most fundamental, it's "respect for the music, that this is your partner," says Kate Linsley, academy principal of the School of Nashville Ballet.

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The USC Kaufman graduating class with Mikhail Baryshnikov. Gus Ruelas/USC

Just four years ago, the University of Southern California's Glorya Kaufman School of Dance welcomed its first class of BFA students. The program—which boasts world-class faculty and a revolutionary approach to training focused on collaboration and hybridity—immediately established itself as one of the country's most prestigious and most innovative.

Now, the first graduating class is entering the dance field. Here, six of the 33 graduates share what they're doing post-grad, what made their experience at USC Kaufman so meaningful and how it prepared them for their next steps:

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In Memoriam
Ross Parkes, right, teaching in Shanghai in 1983. Lan-Lan Wang is at left. Courtesy Lan-Lan Wang.

Notable dancer and beloved teacher, Ross Parkes, 79, passed away on August 5, 2019 in New York City. He was a founding faculty member at Taipei National University of the Arts in Taiwan, where he taught from 1984 to 2006. Lin Hwai-min, artistic director of Cloud Gate Dance Theater, said: "He nurtured two generations of dancers in Taiwan, and his legacy will continue."

About his dancing, Tonia Shimin, professor emerita at UC Santa Barbara and producer of Mary Anthony: A Life in Modern Dance, said this: "He was an exquisite, eloquent dancer who inhabited his roles completely."

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