Sergei Polunin Lands Major Movie Roles
It's hard not to resent Sergei Polunin a little bit. After walking away from his principal position at The Royal Ballet at age 23, frustrated—as he later told Dance Magazine—by the lack of support, money and exposure he was getting as a ballet dancer, now it looks like he's having his cake and eating it, too.
Polunin modeling Marc Jacobs for Numéro Homme
Not only is Polunin dancing again—under Igor Zelensky in Munich's Bayeriches Staatballett, and with girlfriend Natalia Osipova in her program of contemporary works—but he's also getting the Hollywood attention (and paycheck) he's always wanted.
In addition to starring of his own bio-doc, Dancer, Polunin recently confirmed to The Hollywood Reporter that he'll be appearing in two major upcoming movies: the spy thriller Red Sparrow, featuring Jennifer Lawrence (who plays a ballerina-turned-Russian spy who falls for a CIA officer) and the whodunit classic Murder on the Orient Express starring Johnny Depp, Penelope Cruz and Judi Dench. For now, Polunin's roles in both movies are unknown. But we're keeping our fingers crossed they include some dancing.
Don't let yourself get too bitter. Sure, he's landed numerous priceless opportunities in spite (or maybe because) of his "bad boy" reputation. But watching Dancer, you realize he's struggled the same as every aspiring dancer. What's more, he's determined to give back: He says his new Project Polunin is designed to be a company to support other dancers by setting them up with resources like scholarship funds, lawyers looking out for their interests and agents who can connect them with other industries—like film.
On August 19, 1929, shockwaves were felt throughout the dance world as news spread that impresario Sergei Diaghilev had died. The founder of the Ballets Russes rewrote the course of ballet history as the company toured Europe and the U.S., championing collaborations with modernist composers, artists and designers such as Igor Stravinsky, Pablo Picasso and Coco Chanel. The company launched the careers of its five principal choreographers: Michel Fokine, Vaslav Nijinsky, Léonide Massine, Bronislava Nijinska and George Balanchine.
Just four years ago, the University of Southern California's Glorya Kaufman School of Dance welcomed its first class of BFA students. The program—which boasts world-class faculty and a revolutionary approach to training focused on collaboration and hybridity—immediately established itself as one of the country's most prestigious and most innovative.
Now, the first graduating class is entering the dance field. Here, six of the 33 graduates share what they're doing post-grad, what made their experience at USC Kaufman so meaningful and how it prepared them for their next steps:
Yes, we realize it's only August. But we can't help but to already be musing about all the incredible dance happenings of 2019.
We're getting ready for our annual Readers' Choice feature, and we want to hear from you about the shows you can't stop thinking about, the dance videos that blew your mind and the artists you discovered this year who everyone should know about.
Chiara Valle is just one of many dancers heading back to the studio this fall as companies ramp up for the season. But her journey back has been far more difficult than most.
Valle has been a trainee at The Washington Ballet since 2016, starting at the same time as artistic director Julie Kent. But only a few months into her first season there, she started experiencing excruciating pain high up in her femur. "It felt like someone was stabbing me 24/7," she says. Sometimes at night, the pain got so bad that her roommates would bring her dinner to the bathtub.