Bobbi Jene Smith and Maxine Doyle Talk Instinct and Trust in Collaboration

In a sun-soaked studio in Manhattan, members of the Martha Graham Dance Company (all women) lie on the floor with their feet and heads hovering off the ground. Choreographer Bobbi Jene Smith encourages the dancers to be unapologetic about being looked at as their bodies begin to tremble with exhaustion and they move into a new formation.


Bobbi Jene Smith with MGDC dancers. PC Kelsey Grills.

Smith and co-choreographer Maxine Doyle have been working with the company on a new piece that premieres during the company's season at The Joyce Theater, April 2–14. It is part of The EVE Project, an initiative started by the Graham company that honors the progress of women over the last 100 years and shines a spotlight on today's most compelling conversations about gender and power. We peeked into a rehearsal and heard from Doyle and Smith about their collaborative process.


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CalArts dance students. Photo by Josh S. Rose, Courtesy CalArts

4 Reasons Interdisciplinary Education Can Make You a Stronger Dancer, According to CalArts

After years spent training in their childhood studio, it can be hard for dancers to realize exactly how many pathways there are toward career success. The School of Dance at CalArts aims to show its students all of them.

Built with the intention to break barriers and bend the rules, CalArts' interdisciplinary curriculum ensures that students take classes that cover an entire spectrum of artistic approaches. The result? A dance program that gives you much more than just dance.

Last week, Dance Magazine caught up with Kevin Whitmire, assistant director of admission for CalArts School of Dance, and recent alum Kevin Zambrano for the inside scoop on how an interdisciplinary curriculum can make you a stronger artist. Watch the full event below, and read on for the highlights.

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July 2021