Bobbi Jene Smith and Maxine Doyle Talk Instinct and Trust in Collaboration

In a sun-soaked studio in Manhattan, members of the Martha Graham Dance Company (all women) lie on the floor with their feet and heads hovering off the ground. Choreographer Bobbi Jene Smith encourages the dancers to be unapologetic about being looked at as their bodies begin to tremble with exhaustion and they move into a new formation.


Bobbi Jene Smith with MGDC dancers. PC Kelsey Grills.

Smith and co-choreographer Maxine Doyle have been working with the company on a new piece that premieres during the company's season at The Joyce Theater, April 2–14. It is part of The EVE Project, an initiative started by the Graham company that honors the progress of women over the last 100 years and shines a spotlight on today's most compelling conversations about gender and power. We peeked into a rehearsal and heard from Doyle and Smith about their collaborative process.


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How Turning Boards and Practice Mats Can Revolutionize Your Dance Training

When it comes to equipment, dancers don't need much—just shoes and whatever can fit in their dance bag. But between rehearsals in the studio and performances on stage, one major piece of equipment often goes overlooked—the floor.

Dancers too often find themselves warming up on the concrete or carpet backstage, or wanting to practice in a location without a proper floor. For years, Harlequin Floors has offered a solution to this problem with its innovative turning board, offering a portable and personal floor that can be flipped between marley and wood. Now, they've revolutionized portability again with their practice mat, offering dancers the option to roll up their own personal floor and sling it over their shoulders like a yoga mat.

We spoke with experts from every corner of the dance industry to see how Harlequin's products have become their everyday essentials:

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