Bobbi Jene Smith and Maxine Doyle Talk Instinct and Trust in Collaboration
In a sun-soaked studio in Manhattan, members of the Martha Graham Dance Company (all women) lie on the floor with their feet and heads hovering off the ground. Choreographer Bobbi Jene Smith encourages the dancers to be unapologetic about being looked at as their bodies begin to tremble with exhaustion and they move into a new formation.
Bobbi Jene Smith with MGDC dancers. PC Kelsey Grills.
Smith and co-choreographer Maxine Doyle have been working with the company on a new piece that premieres during the company's season at The Joyce Theater, April 2–14. It is part of The EVE Project, an initiative started by the Graham company that honors the progress of women over the last 100 years and shines a spotlight on today's most compelling conversations about gender and power. We peeked into a rehearsal and heard from Doyle and Smith about their collaborative process.
By the Sunday evening of a long convention weekend, you can expect to be thoroughly exhausted and a little sore. But you shouldn't leave the hotel ballroom actually hurt. Although conventions can be filled with magical opportunities, the potential for injury is higher than usual.
Keep your body safe: Watch out for these four common hazards.
For a Broadway dancer, few opportunities are more exciting than being part of the creation of an original show. But if that show goes on to become wildly successful, who reaps the benefits? Thanks to a new deal between Actors' Equity Association and The Broadway League, performers involved in a production's development will now receive their own cut of the earnings.
Jellicle obsessives, rejoice: There's a new video out that offers a (surprisingly substantive) look at the dancing that went down on the set of the new CATS movie.