Laurieann Gibson Shares Her Tips for "So You Think You Can Dance" Contestants
Although she choreographed on early seasons of "So You Think You Can Dance," Laurieann Gibson hasn't watched the show all that much in the past decade. But when she got the call asking her to be a judge this season, she didn't hesitate to say yes.
"To be able to inspire a younger version of myself, I was like, Sign me up!" she says. (And then she promptly did her homework, catching up on all the episodes from the past couple of years.)
Gibson made her name choreographing on today's hottest pop stars like Lady Gaga, Nicki Minaj and Beyoncé. However, it's not celebrities, but fellow dancers who are her "tribe," as she puts it.
"I'm still a dancer, I'm still a working choreographer. I've danced not just hip hop, but trained in tap, ballet, modern and I've had my little share of ballroom," she says. "Obviously, 'So You Think You Can Dance' is of the dancers, for the dancers. I'm so excited to get to speak directly to my community."
Gibson and Dominic "D-Trix" Sandoval are both new judges this season.
Courtesy of Fox
So what is she looking for in contestants?
"Hunger, passion, humility, work ethic, a love for the art form," she says. "After you do the steps, hit the choreography, there's something about the ability to dance, regardless of the style or choreography, that I'm looking for."
So far, she says she's been shocked by not only how great the talent is, but how hungry the dancers are. "The most challenging thing for me is saying 'No.' But you never really say 'No.' You just say, 'This may not be the time, but keep fighting because there's a time for everyone to see their dreams fulfilled.' "
Her best advice for competitors? "Dance like it's your last day every time you hit that stage."
Just four years ago, the University of Southern California's Glorya Kaufman School of Dance welcomed its first class of BFA students. The program—which boasts world-class faculty and a revolutionary approach to training focused on collaboration and hybridity—immediately established itself as one of the country's most prestigious and most innovative.
Now, the first graduating class is entering the dance field. Here, six of the 33 graduates share what they're doing post-grad, what made their experience at USC Kaufman so meaningful and how it prepared them for their next steps:
Every dancer knows there's as much magic taking place backstage as there is in what the audience sees onstage. Behind the scenes, it takes a village, says American Ballet Theatre's wig and makeup supervisor, Rena Most. With wig and makeup preparations happening in a studio of their own as the dancers rehearse, Most and her team work to make sure not a single detail is lost.
Dance Magazine recently spoke to Most to find out what actually goes into the hair and makeup looks audiences see on the ABT stage.
On a sunny July weekend, hundreds of Seattle-area dance fans converged on tiny Vashon Island, a bucolic enclave in Puget Sound about 20 miles from the city. They made the ferry trek to attend the debut performance of the fledgling Seattle Dance Collective.
SDC is not a run-of-the-mill contemporary dance company; it's the brainchild of two of Pacific Northwest Ballet's most respected principal dancers: James Yoichi Moore and Noelani Pantastico. The duo wanted to create a nimble organization to feature dancers and choreographers they felt needed more exposure in the Pacific Northwest.