Spotlight: Emma Portner On The Surprisingly Bad Advice She Once Received
It's easy to feel whiplashed thinking about everything Emma Portner has achieved in such a short amount of time. Last fall, the 23-year-old was the youngest woman ever to choreograph a West End production (it was based on Meat Loaf's greatest hits). This was, of course, after she already choreographed and starred in Justin Bieber's viral hit "Life is Worth Living," and before she charmed major media outlets when she secretly married actress Ellen Page. Now, she's L.A. Dance Project's first-ever artist in residence, and she's working on a commission for Toronto's Fall for Dance North Festival.
We caught up with her for our "Spotlight" series:
What do you think is the most common misconception about dancers?
When I meet new people and tell them that I am a dancer, their first questions are usually something like "Where do you dance?" or "What's your company called?" As a freelance dance artist and choreographer, it's a little more difficult to respond to that.
What was the last dance performance you saw?
Malpaso Dance Company at The Music Center in Los Angeles
What other career would you like to try?
Film directing or real estate
What's the most-played song on your phone?
Pool Party by Julia Jacklin
What's the first item on your bucket list?
Write a screenplay
Do you have a pre-performance ritual?
Arrive hours early for mental preparation, abdominals, push-ups, caffeine and "save it for the stage."
Where can you be found two hours after a performance ends?
In this phase of my life, sitting in my backyard with anyone who came to support the performance.
What's your favorite book?
Any book by Rebecca Solnit
Where did you last vacation?
Joshua Tree, California
What app do you spend the most time on?
Who is the person you most want to dance with—living or dead?
To name a few: Ian Eastwood, Crystal Pite, Alexander Ekman, Justin Peck, and I always love dancing with my wife, Dana Wilson, Patrick Cook, Bobbi Jene Smith, Ajani Johnson-Goffe and Aidan Carberry
What's your go-to cross-training routine?
What's the worst advice you've ever received?
That I shouldn't move to New York
If you could relive one performance, what would it be?
Michelle Dorrance's first Myelination premiere for the Fall For Dance Festival at New York City Center or my Capezio Ace Awards piece "Let Go or Be Dragged" with some of my best friends in the world
On August 19, 1929, shockwaves were felt throughout the dance world as news spread that impresario Sergei Diaghilev had died. The founder of the Ballets Russes rewrote the course of ballet history as the company toured Europe and the U.S., championing collaborations with modernist composers, artists and designers such as Igor Stravinsky, Pablo Picasso and Coco Chanel. The company launched the careers of its five principal choreographers: Michel Fokine, Vaslav Nijinsky, Léonide Massine, Bronislava Nijinska and George Balanchine.
Just four years ago, the University of Southern California's Glorya Kaufman School of Dance welcomed its first class of BFA students. The program—which boasts world-class faculty and a revolutionary approach to training focused on collaboration and hybridity—immediately established itself as one of the country's most prestigious and most innovative.
Now, the first graduating class is entering the dance field. Here, six of the 33 graduates share what they're doing post-grad, what made their experience at USC Kaufman so meaningful and how it prepared them for their next steps:
Yes, we realize it's only August. But we can't help but to already be musing about all the incredible dance happenings of 2019.
We're getting ready for our annual Readers' Choice feature, and we want to hear from you about the shows you can't stop thinking about, the dance videos that blew your mind and the artists you discovered this year who everyone should know about.
Chiara Valle is just one of many dancers heading back to the studio this fall as companies ramp up for the season. But her journey back has been far more difficult than most.
Valle has been a trainee at The Washington Ballet since 2016, starting at the same time as artistic director Julie Kent. But only a few months into her first season there, she started experiencing excruciating pain high up in her femur. "It felt like someone was stabbing me 24/7," she says. Sometimes at night, the pain got so bad that her roommates would bring her dinner to the bathtub.