The Dance Magazine Awards recognize outstanding men and women whose contributions have left a lasting impact on dance. The tradition dates back to 1954. Celebrate this years awardees at the 2017 Dance Magazine Awards on December 4th at 7:30pm in New York City:
For the first time ever, the proceeds from the awards ceremony will go to The Harkness Foundation for Dance to create a new grant for choreographers in their first decade of our work. It's our way of not only honoring those who have made dance what it is today, but investing in artists who will help shape what it becomes tomorrow.
To purchase tickets, please email email@example.com or call (212) 979-4872. Performance and post-awards cocktail party tickets are $250. Performance-only tickets are $50. Opportunities to participate at a leadership level of $1,000 are available and include a VIP pre-performance champagne reception.
The 2018 Dance Magazine Awards will take place on December 3 at the Alvin Ailey Citigroup Theater in New York City. Performances and presentations will celebrate this year's honorees, to be announced this September.
The proceeds from the awards ceremony will go to The Harkness Foundation for Dance to fund a grant for choreographers in their first decade of work. It's our way of not only honoring those who have made dance what it is today, but investing in artists who will help shape what it becomes tomorrow.
The Dance Magazine Awards recognize outstanding men and women whose contributions have left a lasting impact on dance. The tradition dates back to 1954. Click here to view all past recipients.
To purchase tickets, email firstname.lastname@example.org or call (212) 979-4872. Performance and post-awards cocktail party tickets are $250. Performance-only tickets are $50. Opportunities to participate at a leadership level of $1,000 are available and include a VIP pre-performance champagne reception.
Linda Celeste Sims
Jawole Willa Jo Zollar
Brenda Bufalino and Tony Waag
Yuan Yuan Tan
Dr. William Hamilton
Pilobous Dance Theatre
Jason Samuels Smith
Bettie de Jong
Eiko & Koma
Joan Meyers Brown
Jose Manuel Carreño
Charles and Stephanie Reinhart
Michael M. Kaiser
Barbara Horgan for the Balanchine Trust
Al Pischl for Dance Horizons
Dame Ninette de Valois
Anna-Marie Holmes and Bruce Marks
Hernando Cortez & Dancers Responding to AIDS
Francia Russell and Kent Stowell
Fayard and Harold Nicholas
Bill T. Jones
Pierre Dulaine and Yvonne Marceau
"Dancing for Life"
Moscelyne Larkin and Roman Jasinski
P. W. Manchester
Charles "Honi" Coles
Dance Masters of America, Inc.*
Martine van Hamel
Laura Dean Arnold Spohr
Selma Jeanne Cohen
Sir Anton Dolin Twyla Tharp
Herbert Ross and Nora Kaye*
E. Virginia Williams
The Christensen Brothers (Lew, Harold, Willam)
Sir Frederick Ashton
Wesleyan University Press
Agnes de Mille
Dance on TV: Adventure (CBS)
Tony Charmoli (NBC)
Max Liebman (NBC)
Some nights, you head home buzzing with energy. After last night's Dance Magazine Awards, we were dancing with it.
Since George Balanchine first asked her to care for his dancers in the 1980s, Marika Molnar has helped heal icons as varied as Merce Cunningham, Trisha Brown, Natalia Makarova, Judith Jamison, Twyla Tharp, Chita Rivera and Mikhail Baryshnikov. Some patients call her their guardian angel.
"Marika has always answered all my (sometimes ridiculous) questions with the patience and respect that can only come from a deep love of us patients and what we do," says New York City Ballet principal Ashley Bouder. "Without her help during and after my pregnancy, I would never have been able to come back to the stage at full capacity."
Yes, she's small, but the word "mighty" doesn't even begin to get to the root of Linda Celeste Sims' startling magnetism. She joined Alvin Ailey American Dance Theater in 1996 and now, at 41, it's as if her luminous dancing has entered another realm.
"I don't feel tired," she says. "I don't feel like I hate it. I don't feel like it's redundant. I can express different things. I can see what's happening in a more mature way, and I'm intrigued by this moment."
It's not that she isn't aware of her aging body. "I'm not as quick and as fast as I used to be," Sims says. "It's a challenge, but how can I express movement in a new way?"
It makes sense that Dance Magazine long ago dubbed Rennie (Lorenzo) Harris the "high priest of hip hop." When the often shy, Philadelphia-born choreographer founded his company Rennie Harris Puremovement in 1992, he planted a prodigious seed in the dance world. Then and now, Harris' mission has been to examine, preserve and share the culture of hip hop, decisively away from the commercially exploited view.
Harris remembers that when he started in the '90s, it was rough; a lot of his work was direct, so picketing and policing RHPM shows was the norm. But that time also harkened the birth of his well-thought-out launch of street dance onto the concert stage. There was the politically charged March of the Antmen, the pointed look at brotherhood and neighborhoods in P-Funk, and the tour de force Students of the Asphalt Jungle. His chilling solos, Lorenzo's Oil and Endangered Species, screamed chaos, contradiction and culture. In the 2000s, Rome & Jewels, his first evening-length work, garnered a Bessie Award. Facing Mekka followed, celebrating women of hip hop.
For years, Diana Vishneva seemed to be an exotic creature who landed in New York City: If we held our collective breath long enough, perhaps she wouldn't fly away. But last June, this Russian ballerina did just that after delivering her farewell performance of Onegin with American Ballet Theatre, where she had been a principal since 2005. Her wild passion, her musicality and her ability to hold nothing back made her classical dancing all the more thrilling.
Vishneva got her start at the Vaganova Ballet Academy in St. Petersburg. Seven years later she won the Prix de Lausanne, and in 1995, she joined the Mariinsky Ballet, with whom she gave her first major performances in New York City. In 2001, she began her guest artist career, performing with La Scala Ballet, the Paris Opéra Ballet, Staatsballett Berlin and others over the years.
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Contact: Nicole Buggé
Dance Media Publications, LLC
Dance Magazine is pleased to announce that the annual Dance Magazine Awards, the most prestigious awards event in dance, will make the Harkness Foundation for Dance the beneficiary of the proceeds from the event, which will be held on Monday, December 4, at the Ailey Citigroup Theater (405 West 55th Street) in Manhattan. The Harkness Foundation for Dance, a leading donor to dance, will in turn designate the proceeds to a newly created award to assist choreographers in their first decade of professional work.
''I am thrilled that we are able, in partnership with the Harkness Foundation, to provide tangible support to the dance community. I could think of no better way to leverage the power of Dance Magazine, now celebrating its 90th anniversary.''—Frederic M. Seegal, owner and CEO, Dance Media Publications, LLC
The Dance Magazine Awards recognize outstanding men and women whose contributions have left a lasting impact on dance. The tradition dates back to 1954. The new Harkness Promise Award seeks to shine a light on the other end of the spectrum, recognizing emerging young artists for the promise of their artistic work, and also for their innovative thinking about how to be an effective artist-citizen who positively impacts dance and the broader community through performance, education, organization, activism or other means. From 1986 to the present, the Harkness Foundation has contributed over $30 million to more than 560 organizations across the industry.
The Harkness Promise Award will include a $5,000 unrestricted grant, up to 40 hours of studio space within the grant year, and ongoing consulting and mentorship with Joan Finkelstein, the foundation's executive director. A performance project may result from this support, but is not a condition of the award. The first recipient(s) will be announced in June 2018.
"The Harkness Foundation for Dance is honored to partner with the dance field's indisputable magazine of record, Dance Magazine. The Foundation is excited about this new initiative, which will extend our ability to support the future of the dance field.'' —Joan Finkelstein, Executive Director, The Harkness Foundation for Dance
The winners of the 60th annual Dance Magazine Awards will be announced in the October 2017 issue of Dance Magazine. To facilitate the success of the awards event and fundraising for the Harkness Promise Award, a gala committee is in formation.
Tickets to the performance and post-awards cocktail party and buffet are $250. Opportunities to participate at a leadership level of $1,000 are available and include a VIP pre-performance champagne reception. Performance-only tickets are $50. To order, email email@example.com or call 212-979-4872.
About Dance Magazine:
For 90 years, Dance Magazine has provided insight and practical information, as well as news, interviews and beautiful, original photography. Dance Magazine illuminates the art form on a global scale, often breaking ground with fiercely personal accounts of life as a dancer. Dance Magazine is published by Dance Media Publications, LLC, whose properties also include: Dance Spirit®, Dance Teacher®, Pointe® and Dance Retailer NewsTM, plus associated websites and apps.
About The Harkness Foundation for Dance:
The Harkness Foundation for Dance is a private grant-making foundation dedicated to invigorating and supporting the dance art-form, predominantly in New York City. Since 1959, the Harkness name has been synonymous with dance philanthropy. The Foundation carries forward the lifelong dedication to the dance art form of the great American dance patron Rebekah Harkness. Over many decades, this support has taken the form of funding, rehearsal and theater space, technical assistance, and guidance—an unrivaled legacy that has touched countless dance artists and companies in all dance styles and genres. With a broad focus that spans dance creation, presentation, education, medicine and other vital services to the dance field, from 1986 to the present the Harkness Foundation has contributed over $30 million to more than 560 organizations across the industry. For more information: harknessfoundation.org
What do Fred Astaire, Pina Bausch and Misty Copeland have in common? They are all part of one of the most prestigious groups in dance: the Dance Magazine Award recipients. A tradition that dates back to 1954, the Dance Magazine Awards celebrate the living legends who have made a lasting impact on our field.
Today, we are thrilled to announce the four honorees for 2017:
It can be hard to focus when Alice Sheppard dances.
Her recent sold-out run of DESCENT at New York Live Arts, for instance, offered a constellation of stimulation. Onstage was a large architectural ramp with an assortment of peaks and planes. There was an intricate lighting and projection design. There was a musical score that unfolded like an epic poem. There was a live score too: the sounds of Sheppard and fellow dancer Laurel Lawson's bodies interacting with the surfaces beneath them.
And there were wheelchairs. But if you think the wheelchairs are the center of this work, you're missing something vital about what Sheppard creates.
A Jellicle Ball is coming to the big screen, with the unlikeliest of dancemakers on tap to choreograph.
We'll give you some hints: His choreography can aptly be described as "animalistic," though Jellicle cats have never come to mind specifically when watching his hyper-physical work. He's worked on movies before—even one about Beasts. And though contemporary ballet is his genre of choice, his choreography is certainly theatrical enough to lend itself to a musical.
What is the right flooring system for us?
So many choices, companies, claims, endorsements, and recommendations to consider. The more you look, the more confusing it gets. Here is what you need to do. Here is what you need to know to get the flooring system suited to your needs.
These days, everyone tells you how important it is to be versatile. But what if you're convinced there's just one style that's right for you? It can be tough to balance a deep interest in a single specialty and still meet many choreographers' expectations. Luckily, you don't have to choose between all in or all over the place, as long as you follow your interests thoughtfully.
So far, the fervor to create diversity in ballet has primarily focused on dancers. Less attention has been paid to the work that they'll encounter once they arrive.
Yet the cultivation of ballet choreographers of color (specifically black choreographers) through traditional pathways of choreographic training grounds remains virtually impossible. No matter how you slice it, we end up at the basic issues that plague the pipeline to the stage: access and privilege.