Just for Fun

10 Dancer Moods as Told Through Stock Photos

As Dance Magazine editors, we admittedly spend more time than we'd like sifting through stock photography. Some of it is good, more of it is bad and most of it is just plain awkward.

But when paired with the right caption, those shots magically transform from head-scratchers to meme-worthy images that illustrate our singular experience as dancers. You can thank the internet for this special salute to dancer moods.


"I found a street with low traffic—and rent is free!"

Kyle Head/Unsplash

Living that dry-shampoo life. 

Miguel Salgado/Unsplash

"If I did it once I can do it again..."

Liel Anapolsky/Unsplash

"My standing leg looks stunning, but you'll just have to imagine it."

arnie chou/Unsplash

Because sports psychology doesn't practice itself

Nihal Demirci/Unsplash

"Yes, Debra, I have tried spotting the corner."

Ahmad Odeh/Unsplash

"What? You think I'm being dramatic? I'll show you dramatic."

Yitzhak Rodriguez/Unsplash

We've all been that dancer in the red shirt. 

JackF/Getty Images

"Can I get an honorary doctorate for that?"

Artranq/Getty Images

Got an alternate caption idea? Tell us in the comments.

In Memoriam
Alicia Alonso with Igor Youskevitch. Sedge Leblang, Courtesy Dance Magazine Archives.

Her Dying Swan was as fragile as her Juliet was rebellious; her Odile, scheming, her Swanilda, insouciant. Her Belle was joyous, and her Carmen, both brooding and full-blooded. But there was one role in particular that prompted dance critic Arnold Haskell to ask, "How do you interpret Giselle when you are Giselle?"

At eight, Alicia Alonso took her first ballet class on a stage in her native Cuba, wearing street clothes. Fifteen years later, put in for an ailing Alicia Markova in a performance of Giselle at New York's Metropolitan Opera House, she staked her claim to that title role.

Alonso received recognition throughout the world for her flawless technique and her ability to become one with the characters she danced, even after she became nearly blind. After a career in New York, she and her then husband Fernando Alonso established the Cuban National Ballet and the Cuban National Ballet School, both of which grew into major international dance powerhouses and beloved institutions in their home country. On October 17, the company announced that, after leading the company for a remarkable 71 years, Alonso died from cardiovascular disease at the age of 98.

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News
Rauf "RubberlLegz" Yasit and Parvaneh Scharafali. Photo by Mohamed Sadek, courtesy The Shed

William Forsythe is bringing his multi-faceted genius to New York City in stripped down form. His "Quiet Evening of Dance," a mix of new and recycled work now at The Shed until October 25, is co-commissioned with Sadler's Wells in London (and a slew of European presenters).

As always, Forsythe's choreography is a layered experience, both kinetic and intellectual. This North American premiere prompted many thoughts, which I whittled down to seven.

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News
Courtesy NBC

"Law & Order: SVU" has dominated the crime show genre for 21 seasons with its famous "ripped from the headlines" strategy of taking plot inspiration from real-life crimes.

So viewers would be forgiven for assuming that the new storyline following the son of Mariska Hargitay's character into dance class originated in the news cycle. After all, the mainstream media widely covered the reaction to Lara Spencer's faux pas on "Good Morning America" in August, when she made fun of Prince George for taking ballet class.

But it turns out, the storyline was actually the idea of the 9-year-old actor, Ryan Buggle, who plays Hargitay's son. And he came up with it before Spencer ever giggled at the word ballet.

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Breaking Stereotypes
Getty Images

As a dietitian specializing in dance nutrition, the most common DM flooding my inbox is "How can I drop pounds (specifically from body fat) and gain muscle?"

The short answer? Not happening.

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