Stock Up for Summer Programs with 5 Sales Going On Right Now
With the long, super-sweaty days of summer intensives fast approaching, there has possibly never been a better time to make sure your dancewear drawer is full—and fully equipped!—for whatever your training and performance plans might be.
Having extra pairs of tights on hand is never not a good idea. Capezio is here to help with 25% off all tightsacross their entire website and at Capezio stores. Just apply the promo code TIGHT25 at checkout.
In need of some flashy new kicks for summertime hip hop classes? Bloch Inc.'s S0923 sneaks are down to $52.15 from $74.50—that means you save $22.35. Only select sizes are left, so hurry over to the Sale section of Bloch Inc.'s site.
There are so many cute styles at justforkix.com that it's really, really hard to close that tab without picking out several styles. This weekend, that danger actually works in your favor: Now through Sunday, you'll get 20% off all orders over $45 when you use the offer code JUNE18.
Now through June 10, when you spend $75 at danskin.com, you get 20% off (automatically applied at checkout). Pick out just $25 more of hot athleisure-y dancewear styles and you'll get 30% off the total.
This two-way bra top is just $7.25 right now at discountdance.com. And get this: When you buy 1 item from Discount Dance Supply's online clearance section, it's an additional 10% off. 2 items? 20%! And so on up to 40% off already marked-down styles (while supplies last).
Happy shopping, dancers!
Alicia has died. I walked around my apartment feeling her spirit, but knowing something had changed utterly.
My father, the late conductor Benjamin Steinberg, was the first music director of the Ballet de Cuba, as it was called then. I grew up in Vedado on la Calle 1ra y doce in a building called Vista al Mar. My family lived there from 1959 to 1963. My days were filled with watching Alicia teach class, rehearse and dance. She was everything: hilarious, serious, dramatic, passionate and elegiac. You lost yourself and found yourself when you loved her.
"The show must go on" may be a platitude we use to get through everything from costume malfunctions to stormy moods. But when it came to overcoming a literal hurricane, Houston Ballet was buoyed by this mantra to go from devastated to dancing in a matter of weeks—with the help of Harlequin Floors, Houston Ballet's longstanding partner who sprang into action to build new floors in record time.
It's Nutcracker time again: the season of sweet delights and a sparkling good time—if we're able to ignore the sour taste left behind by the outdated racial stereotypes so often portrayed in the second act.
In 2017, as a result of a growing list of letters from audience members, to New York City Ballet's ballet master in chief Peter Martins reached out to us asking for assistance on how to modify the elements of Chinese caricature in George Balanchine's The Nutcracker. Following that conversation, we founded the Final Bow for Yellowface pledge that states, "I love ballet as an art form, and acknowledge that to achieve a diversity amongst our artists, audiences, donors, students, volunteers, and staff, I am committed to eliminating outdated and offensive stereotypes of Asians (Yellowface) on our stages."
An audience member once emailed Dallas choreographer Joshua L. Peugh, claiming his work was vulgar. It complained that he shouldn't be pushing his agenda. As the artistic director of Dark Circles Contemporary Dance, Peugh's recent choreography largely deals with LGBTQ issues.
"I got angry when I saw that email, wrote my angry response, deleted it, and then went back and explained to him that that's exactly why I should be making those works," says Peugh.
With the current political climate as polarized as it is, many artists today feel compelled to use their work to speak out on issues they care deeply about. But touring with a message is not for the faint of heart. From considerations about how to market the work to concerns about safety, touring to cities where, in general, that message may not be so welcome, requires companies to figure out how they'll respond to opposition.