Festival Fever: 33 Performances On Our Radar This Summer
As far as we're concerned, it's not really summer until our favorite dance festivals kick things off. This year's season is as packed and promising as ever, with seemingly everyone who is anyone converging on at least one big festival between now and August. Here are the artists, premieres and collaborations we can't wait to see.
American Dance Festival
Cleo Parker Robinson Dance Ensemble
Jerry Metellus, Courtesy ADF
DURHAM, NC ADF's busy five-week season has its eyes on both the past and the future. The season is dedicated to the late Paul Taylor, with Taylor 2 opening the season in his Piazzolla Caldera, the main company performing two programs of classics (all ADF premieres) and Michael Trusnovec, acting as artist in residence, staging the iconic Esplanade on ADF students. Eiko Otake, Micaela Taylor (for Cleo Parker Robinson Dance Ensemble), and Murielle Elizéon and Tommy Noonan premiere new commissions; Dorrance Dance and Malpaso Dance Company make their ADF debuts. June 13–July 20. americandancefestival.org.
Jacob's Pillow Dance Festival
Circa, here in What Will Have Been, appears at the Pillow this summer.
Andy Phillipson, Courtesy Jacob's Pillow
BECKET, MA As always, there's more happening at America's longest-running dance festival than any one person could experience. We have our sights set on Lucinda Childs' new vehicle for Wendy Whelan (The Day), premieres from companies like Compañía Irene Rodríguez and Gallim Dance, and Ice Dance International's Inside/Out performance featuring choreography by Trey McIntyre and Edward Villella, which marks the first time ice dancing (albeit on synthetic ice) has appeared at the Pillow. Anniversaries are big this summer, too, with the Pillow debut of Compagnie CNDC-Angers/Robert Swinston to mark the Cunningham Centennial, Dance Theatre of Harlem continuing its 50th-anniversary celebrations, and Mark Morris Dance Group looking ahead to its 40th in 2020. June 19–Aug. 25. jacobspillow.org.
Manchester International Festival
Ben Hopper, Courtesy MIF
MANCHESTER, UK While they might not be the headliners of this multi-genre festival (that would be actor Idris Elba and musician Janelle Monáe), the dance offerings at this year's Manchester International Festival more than hold their own. There's the multidisciplinary Invisible Cities, a site-specific work that reimagines how Marco Polo described his travels to Kublai Khan, with Rambert performing choreography by Sidi Larbi Cherkaoui; the premiere of Trajal Harrell's Tennessee Williams–inspired Maggie the Cat; Thank You Very Much, in which Claire Cunningham uses the strange world of Elvis impersonators to explore issues of identity and self-tribute; and the return of Reggie "Regg Roc" Gray, who is joined by New York City– and Manchester-based flexers for Alphabus. July 4–21. mif.co.uk.
Bates Dance Festival
nora chipaumire's #PUNK 100% POP *N!GGA
Ian Douglas, Courtesy Bates Dance Festival
LEWISTON, ME Buzzy, challenging works from a wide spectrum of artists brush up against each other at Bates Dance Festival. The festival opens with hip-hop duo MaMa2 (Amirah Sackett and Mary Mar) and closes with jumatatu m. poe and Jermone Donte Beacham's exploration of queer black life, This is a Formation: Intervention. In between are Netta Yerushalmy's rigorous deconstruction of dance masterworks (Paramodernities), Joanna Kotze's rumination on the sociopolitical environment around the 2016 election (What will we be like when we get there), and Bates favorites Doug Varone, Reggie Wilson and nora chipaumire. July 12–14; July 25–Aug. 3. batesdancefestival.org.
Vail Dance Festival
Patricia Delgado and Lauren Lovette in rehearsal
Erin Baiano, Courtesy Vail Dance Festival
VAIL, CO A panoply of high-profile dancers make their annual trek to the mountains for this collaboration-rich festival. Female choreographers are once again a focus this year, with the NOW: Premieres program featuring new works by Michelle Dorrance, Tiler Peck, Pam Tanowitz and Lauren Lovette, who, in her capacity as artist in residence, will also star in a new work by Ailey dancer Hope Boykin and teach master classes. And it will be a tale of two coasts as dancers from Alonzo King LINES Ballet take the stage with members of New York City Ballet for a new work from King and musician Jason Moran. July 26–Aug. 10. vaildance.org.
As you're prepping your Thanksgiving meal, why not throw in a dash of dance?
This year's Macy's Thanksgiving Day Parade is stuffed (pun intended) with performances from four stellar Broadway shows, the Radio City Rockettes and students from three New York City dance institutions.
Tune in to NBC November 28 from 9 am to noon (in all time zones), or catch the rebroadcast at 2 pm (also in all time zones). Here's what's in store:
Back in 2011 when Joe Lanteri first approached Katie Langan, chair of Marymount Manhattan College's dance department, about getting involved with New York City Dance Alliance, she was skeptical about the convention/competition world.
"But I was pleasantly surprised by the enormity of talent that was there," she says. "His goal was to start scholarship opportunities, and I said okay, I'm in."
Today, it's fair to say that Lanteri has far surpassed his goal of creating scholarship opportunities. But NYCDA has done so much more, bridging the gap between the convention world and the professional world by forging a wealth of partnerships with dance institutions from Marymount to The Ailey School to Complexions Contemporary Ballet and many more. There's a reason these companies and schools—some of whom otherwise may not see themselves as aligned with the convention/competition world—keep deepening their relationships with NYCDA.
Now, college scholarships are just one of many ways NYCDA has gone beyond the typical weekend-long convention experience and created life-changing opportunities for students. We rounded up some of the most notable ones:
Last week, Variety reported that Sergei Polunin would reunite with the team behind Dancer for another documentary. "Where 'Dancer' looked at his whole life, family and influences," director Steven Cantor said, " 'Satori' will focus more squarely on his creative process as performer and, for the first time ever, choreographer." The title references a poorly received evening of work by the same name first presented by Polunin in 2017. (It recently toured to Moscow and St. Petersburg.)
I cannot be the only person wondering why we should care.
"The show must go on" may be a platitude we use to get through everything from costume malfunctions to stormy moods. But when it came to overcoming a literal hurricane, Houston Ballet was buoyed by this mantra to go from devastated to dancing in a matter of weeks—with the help of Harlequin Floors, Houston Ballet's longstanding partner who sprang into action to build new floors in record time.