What dancers do during their summer layoff can be the key to a successful next season. The theory of periodization suggests that downtime should be carefully divided into multiple stages: post-season total rest, off-season cross-training and pre-season ramping up.
Building this strategic recovery time into your yearly schedule can allow for improvement—and decrease your chances of getting injured.If you have five to six weeks off, here's the ideal way to divide up your time.
Week 1: Post-Season
After a season ends, your entire body is ready for some downtime. Take this week to repair.
Recovery methods: Catch up on sleep and nourish your body with healthy food.
Dance classes: Take a complete break from dancing. Your technique will not go anywhere from a one-week rest. "The whole body needs it—even your immune system," says Lauren McIntyre, clinical specialist and athletic trainer at New York University's Langone Medical Center's Harkness Center for Dance Injuries. The break will allow your body and mind to repair, renew and heal.
Restorative movement: Massage, gentle stretching, flow yoga and foam rolling can be part of your daily activities. "Perform gentle exercises that aim to restore stability around any joints that are stressed repetitively throughout the season," says Jenna M. Calo, doctor of physical therapy at Body Dynamics in Falls Church, Virginia. "Low-intensity swimming and exercises in a pool are great options."
Weeks 2–4: Off-Season
Use the middle weeks to challenge your body in new ways and address any issues of weakness or tightness.
Cardio work: McIntyre recommends aerobic exercise three to four times a week for 20 to 40 minutes. Biking, running, swimming, the elliptical and rowing are all good choices, she says. "But you have to like it or you won't do it." Calo also suggests interval training—short bursts at a high intensity—to condition your cardiovascular system.
Strength training: Aim to strength-train three times a week, ideally with a professional who can make sure you're using correct form and an appropriate amount of resistance. "Strength training will not compromise flexibility," insists McIntyre. "Start with less weight and gradually load more, but keep it safe." Work your way towards plyometric training to increase your muscles' explosive power, says Calo.
Stretching: Incorporate dynamic stretching both before and after workouts. Save static stretching, such as splits, until after, says Calo. "You will get more bang for your buck."
Dance classes: Limit the number of classes to allow enough energy to cross-train and work on imbalances.
Weeks 5-6: Pre-Season
Now's the time to get in "back-to-work" mode.
Cross-training: Cut back on both cardio and strength training. "Ramp down on things like high-intensity interval training and plyometrics," says Calo. Keep strength-training two days per week, but the resistance can come down while the reps go up to 12 to 15. "This will allow you to maintain the gains you've made throughout the summer," she says.
Dance classes: Gradually increase the number of hours you're dancing per day. By the end of the week, says McIntyre, you should be dancing very close to the number of hours you will be dancing in your usual schedule.
James Whiteside (Jayme Thornton for Dance Magazine)
Say you're perpetually impeccable designer Thom Browne. Say you're planning your Spring 2020 Paris menswear show along a "Versailles country club" theme. Say you want a world-class danseur to open the show with some kind of appropriately fabulous choreography.
Who do you call? James Whiteside, of course. On Saturday, the American Ballet Theatre principal—wearing pointe shoes and a glorious pinstriped tutu—kicked off Browne's presentation at the École des Beaux-Arts with a 15-minute, show-stealing solo. Whiteside choreographed the piece himself, with the help of detailed notes from the designer.
I'd been a professional dancer for five years when I realized the pain I'd been feeling in my hip and down my sciatic nerve was not going away. I had been treating it for two years as we dancers do—with regular visits to my masseuse, physical therapy, baths, ice and lots of Aleve—but I never stopped dancing. It finally dawned on me that if I kept going at the speed I was going (which was, well, speedy), the pain would only get more severe and unrelenting, and I might never dance again.
I told myself I'd take two months off, and all would be better.
That first morning when I woke up at 10 am, I had no idea what to do with myself. My life until that moment had been dictated by class and rehearsal, every hour accounted for. How should I fill the huge swath of time ahead of me?