“This season is about giving our loyal fan base what they’ve been asking for,” executive producer Nigel Lythgoe wrote in a press release. “We’ve decided to go back to basics by bringing the best of our past formats together for an exciting new summer featuring accomplished adult competitors partnered with fan-favorite All-Star dancers."
That means the show is now searching for dancers ages 18-30. Want to audition? This season, rather than holding open calls, "SYTYCD" is asking all potential candidates to apply online: You can upload or provide a link to a video of yourself performing.
Here's the timeline:
February 19: New York audition application deadline
March 4-6: New York in-person auditions
March 5: Los Angeles audition application deadline
March 17-19: Los Angeles in-person auditions
The pre-screening makes us hopeful that the early audition episodes will focus less on the sometimes cringe-worthy non-dancers making fools of themselves just for fame, and more on real dancers with real potential. Fingers crossed!
Essential oils sometimes get a bad rap.Between the aggressive social media marketing for the products and the sometimes magical-sounding claims about their healing properties, it's easy to forget what they can actually do.But if you look beyond the pyramid schemes and exaggerations, experts believe they have legit benefits to offer both mind and body.
How can dancers take advantage of their medicinal properties? We asked Amy Galper, certified aromatherapist and co-founder of the New York Institute of Aromatic Studies:
Karen Azenberg, a past president of the Stage Directors and Choreographers Society, stumbled on something peculiar before the union's 2015 move to new offices: a 52-year-old sealed envelope with a handwritten note attached. It was from Agnes de Mille, the groundbreaking choreographer of Oklahoma! and Rodeo. De Mille, a founding member of SDC, had sealed the envelope with gold wax before mailing it to the union and asking, in a separate note, that it not be opened. The reason? "It is the outline for a play, and I have no means of copyrighting…The material is eminently stealable."