Jawole Willa Jo Zollar "is an artist who understands how to pull things out to find the essence of a work," says Robert Battle. Here, Zollar in the studio with Ailey dancers. Photo by Erica Hochstedler, Courtesy AAADT
Coming this fall to the ever-expanding Ailey organization is an intriguing new event: the Choreography Unlocked festival. From Oct. 12–14 and 26–28, the Joan Weill Center for Dance will host workshops, performances and panel discussions. It is an extension of Ailey's New Directions Choreography Lab, an annual residency fellowship for four emerging and mid-career choreographers, founded by artistic director Robert Battle in 2011.
Cameron McKinney working with students at The Ailey School through the New Directions Choreography Lab. Photo by Nicole Tintle, Courtesy AAADT
The festival offers a rare experience for choreographers to work collectively on their craft, and for students and public audiences to interact firsthand with the process of creating dance. "Choreographers tend to section off on their own, so I wanted to offer classes for them to come together and vibe off each other," says Battle. He also hopes to demystify the choreographic process for audiences.
Dancers in rehearsal for Once On This Island; PC Joan Marcus. Courtesy Boneau/Bryan-Brown
"Should I watch it to get a sense of what happened, or should I go with my own vision and understanding of the culture?" That's what choreographer Camille A. Brown was wondering in June, when she started work on the Broadway revival of the Antilles-themed musical Once on This Island.
Jermaine Terry working on fellow Ailey dancer Sarah Daley-Perdomo's dress while on tour in Frankfurt, Germany.
It's widely known how jam-packed an Ailey dancer's schedule is: the company averages between 175 and 200 performances each year. So it's hard to imagine that these artists have time for anything else.
Impressively, eight-year AAADT dancer Jermaine Terry has somehow maintained a second career in costume and clothing design. From wedding dresses to one-of-a kind evening gowns for Ailey galas, the self-taught designer is inspired by the challenge.
What He Has To Say: Terry gave Dance Magazine the scoop on how, in the words of Project Runway's Tim Gunn, he is able to "make it work."