Cassandra Trenary in rehearsal with Daniil Simkin. Photo by Jim Lafferty.
When the Leonore Annenberg Fellowship Fund for the Performing and Visual Arts announced their tenth and final round of $50,000 fellowships for performing and visual artists last week, it wasn't exactly a surprise to see Cassandra Trenary's name on the list. The American Ballet Theatre soloist sparkles onstage in classical rep (particularly in works by Alexei Ratmansky), but hasn't been content with a typical company career. She's constantly working on outside projects; in fact, when we caught up with her she was in between a rehearsal with Gemma Bond and a preview showing of an Alejandro Cerrudo–choreographed project she'll perform with Daniil Simkin this fall.
How did you react when you got the news that you were receiving the fellowship?
I was so overjoyed of course, but also kind of felt this pressure all of a sudden. There were so many things I had set out to do if I received it, and now that I have I've got a lot of work to do! I'm looking forward to challenging myself in ways I've never had a chance to before.