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Corbin Bleu as Billy Crocker in Arena Stage's production of Anything Goes. Photo by Maria Baranova, Courtesy Arena Stage

Corbin Bleu's theater gigs are the skimpiest part of his resumé, which includes not just High School Musical, but everything from horror films to "Dancing with the Stars." His first two Broadway shows, In the Heights and Godspell, didn't particularly showcase his dancing, but in 2016, he tapped and fox-trotted his way to a Chita Rivera Award in Holiday Inn, the New Irving Berlin Musical. Last year, he did Singin' in the Rain in St. Louis and the 1934 Cole Porter musical Anything Goes in Washington, DC. This month, he returns to Broadway in another classic Porter show, playing Bill Calhoun in Kiss Me, Kate at Studio 54. But when we caught up with him, there was another Bill on his mind—he had just opened as Billy Crocker in the Arena Stage production of Anything Goes.

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Photo by Kurt Sneddon, Courtesy McKechnie.

Triple threat Donna McKechnie is cherished for her Tony Award–winning portrayal of Cassie in the 1975 musical A Chorus Line. Her featured number, "The Music and the Mirror," sheds a spotlight on the hopes and dreams of a struggling dancer, willing to return to the chorus for a job doing what she loves. McKechnie has spent her more than 50-year career doing what she loves—dancing, singing and acting. The Broadway darling has grown up onstage, from her first gig as a teen to her latest: Starting October 27 she plays Mabel in Arena Stage's production of The Pajama Game in Washington, DC.

Have you done Pajama Game before?

This is my first. I love the show and was thrilled when choreographer Parker Esse called me. I see connections with my career generationally in the script. When I came to New York, Bob Fosse was my first choreographer. I was in shows that original writer/director George Abbott directed.

Will you be dancing?

I play Mabel, the secretary and mother hen, but Parker said he was going to expand the dancing. I'll be 75 this month and I'm proud of it. I want to be a living example for people to keep dancing and moving. I take ballet class five times a week—if you don't, you lose it. I do the whole barre. If you do a ballet barre correctly, I can't think of anything harder.

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