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LINES dancer Adji Cissoko. Photo by Quinn Wahrton

Points should be given to the dance world for beginning to address the issue of diversity. But have we ever taken into consideration who critiques dance—and the lack of diversity in that area of our community? Or how critics' subconscious biases create barriers to the elevation of non-white artists?

Recently, Charmian Wells wrote a scathing critical analysis of New York Times dance critic Gia Kourlas' review of DanceAfrica. Entitled "Strong and Wrong: On Ignorance and Modes of White Spectatorship in Dance Criticism" it took Kourlas to task for critiquing from a place of cultural and technical ignorance.

Forces of Nature Dance Theatre, which performed at DanceAfrica. Photo via Facebook.

Reviews are part of the life blood of artistic sustainability—funders, agents, bookers and audience members use them as guides. Dance critics have a responsibility to the community to do, and be better, or at least have the courage to let the reader know what they don't understand.

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