Dancer Voices
Passing dance history on to the next generation is a bit like handing down the family jewels, says Wendy Whelan, seen here teaching. Photo by Christopher Duggan, courtesy Whelan.

When I was a young dancer in Louisville, Kentucky, my ballet teacher used to speak a lot about Merrill Ashley. She brought neoclassical technique to exquisite new heights under Balanchine, and as a technician, she famously paved the way for today's balletic whiz kids. (Later, when I was a teenager, I was lucky enough to have her as a teacher.) Today, as I travel around the country giving master classes, I often find myself bringing up the names of quintessential American ballerinas, dancers like Merrill. But now, if I mention her name, I can't help but notice my students' eyes widening as they look to each other wondering who exactly this famous ballerina named Merrill is.

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Rant & Rave
Is ballet ready for a redesign?

2017 felt like we were living the Upside Down of the popular Netflix series "Stranger Things." From Donald Trump becoming president, to the sexual harassment scandals that ricocheted into the ballet world, everything we thought we knew was turned on its head.

Yet while the deconstruction of institutional paradigms is frightening, it also presents an unprecedented opportunity for redesign.

Ballet, much like our political parties, seems to be stuck in an antiquated format that's long overdue for a makeover. With the world changing at lightning speed, if ballet wants to survive it will have to undergo a radical reimagining. But what would that look like?

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Popular
Margot Fonteyn and Michael Somes in a 1959 televised excerpt of The Sleeping Beauty. Image via bbc.co.uk.

To celebrate our 90th anniversary, we excavated some of our favorite hidden gems from the DM Archives—images that capture a few of the moments in time we've documented over the decades.

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