What Dancers Eat
Dancers often make the best chefs. Photo by Quinn Wharton

Tired of the typical turkey and stuffing? For Thanksgiving this year, try something different with these personal recipes that dancers have shared with Dance Magazine. The ingredients are packed with dancer-friendly nutrients to help you recover from rehearsals and fuel up for the holiday performances ahead.

If anyone raises an eyebrow at your unconventional choices, just remind them that dancers are allowed to take some artistic license!

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What Dancers Eat
Stix-Brunell in Alice's Adventures in Wonderland. Photo by Johan Persson, Courtesy Royal Opera House

"I'm better at dancing than cooking," Beatriz Stix-Brunell admits. A first soloist at The Royal Ballet, the New York City native largely relies on London's burgeoning food scene for major meals.

One exception: her lucky performance dish, a straightforward pasta recipe with prosciutto. "I make it the night before and bring it to the opera house," she says. "It's the perfect mixture of carbs and protein before a big show that requires long-lasting energy. And it also makes me feel like a chef!"

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Dancers Trending
And the best costume award goes to Harper Watters, aka tennis superstar Serena Williams. Photo via Instagram.

Happy Halloween! If you're still not in the spirit, who better to turn to for some spooky style inspiration than your fellow dancers? These pros' costumes caught our eye (and made us laugh).

1. Recreating a Legend

Famed ballerina Anna Pavlova recently made an appearance at American Ballet Theatre's company class. Oh, no, that's just principal James Whiteside and his impeccable petit allegro. Could've fooled us.

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Dancers Trending
A still from Duet, via CNN Style

Royal Ballet dancers Yasmine Naghdi and Beatriz Stix-Brunell recently got together for a different kind of performance: no decadent costumes, sets, stage makeup or lighting. Instead, the principal and first soloist danced choreography by principal character artist Kristen McNally in a stark studio.

The movement is crystal clear, and at the beginning, Naghdi and Stix-Brunell duck and weave around each other with near vacant stares. Do they even know they have a partner? And how should they interact? The situation raises a much larger question: How often do we see a female duet in ballet?

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