It's no secret that Broadway dancers need to be incredibly versatile. In addition to having singing and acting chops, they need to be well-versed in a wide range of dance styles.
Knowing all this is one thing. But seeing it in action is another. BroadwayBox.com's Dancing Through My Resume series asks Broadway dancers to give a visual demonstration of their career, performing segments from all the shows they've been in. The result is a fast-paced tour of some of the best dancing on Broadway, past and present. Their newest video features Paloma Garcia-Lee, who's currently dancing Joshua Bergasse's choreography in Charlie and the Chocolate Factory:
It's mad-dash time on Broadway, as shows scramble to qualify for the June 11 Tony Awards. "It is a crazy season," says Andy Blankenbuehler, who won last year for choreographing Hamilton. And the 10 musicals arriving in the two months preceding the deadline, April 27, "are all over the map," he says. "So many different audiences will find a show to really be in love with."
One of them is his own, Bandstand, set in 1945 as GIs resume their lives after World War II. Working with composer Richard Oberacker and writer Robert Taylor, "Andy the Director" focused initially on "music, text, characters—establishing the world," he says, to tell the story of veterans forming a big band.
He's the Emmy-winning, Tony-nominated Joshua Bergasse in the playbill, but just "Josh Bergasse" (pronounced bare-GAHSS) when he affably introduces himself to the 70 people assembled at Broadway Dance Center for his advanced theater class.
They know who he is, of course, and it's the reason they're there. Reese Snow, BDC's associate executive director, calls him "one of the finest theater teachers in New York." He's also the choreographer of the Broadway shows Gigi and On the Town (for which he won the Astaire Award and that Tony nomination), the off-Broadway hits Cagney and Sweet Charity, the NBC series "Smash," and the new musical Charlie and the Chocolate Factory, opening this month at the Lunt-Fontanne Theatre.
Bergasse puts on Adele and starts a strenuous, fluid warm-up to prepare the class for the taxing but lyrical combinations they will dance to Sammy Davis Jr.'s swing-happy rendition of "The Goin's Great," from 1969. "A lot of my movement has fast directional changes, so I try to get their thighs and core really strong and warm," he says.
Bergasse leading rehearsal. Photo by Jenny Anderson, Courtesy On The Town