Beyond Taboos: What Dancing In Tunisia Taught Me

Again and again, dance teaches me that when the filters fall away between people—when the boundaries of geography, religion and politics soften—the beginning and end of our relationships is always human. In March, I traveled with Keigwin + Company to Cote D’Ivoire, Ethiopia and Tunisia, on a tour sponsored by the US State Department and […]

How An ADHD Diagnosis Propelled My Confidence in Dance

To me, dancing is an opportunity to exist in an alternate reality. With my imagination moving galaxies per minute, there’s no telling what I will do, when or how—and that’s my escape from this world. It’s common for my mind to drift off and borrow ideas from a character in a Disney movie while performing […]

G-Chat Recap: Editors Discuss 2017 Fall For Dance

Fall For Dance is always a huge talkabout here in the Dance Media offices. So after all the programs were performed this year, a few of the editors from Dance Magazine, Pointe and Dance Teacher got together on Google Hangouts this morning to share our thoughts. Here are excerpts from our convo: Jennifer Stahl, Dance […]

What It's Like to Choreograph a Dance-Only Episode on HBO

Ever wondered what happens in those seedy chain motels attached to airports? In the new HBO anthology series Room 104 Room 104 , created by Mark and Jay Duplass, it’s everything from the funny and eccentric to the creepy and absurd. With no connecting story for its characters, each episode takes place in one motel […]

Choreographer's Confessional: Patrick McCollum's First Time Working in Heels

Choreographer Patrick McCollum says he’s accident-prone. So he hesitated a bit when Stephen Brackett, the director he’d loved working with on the off-Broadway musical The Lightning Thief, asked him to choreograph The Legend of Georgia McBride. It wasn’t the material that gave him pause—the author, Matthew Lopez, is an award-winning playwright, and the comedy centers […]

'Prince of Broadway': A Crash Course in Hal Prince's Hit Musicals

Apart from having won the Tony Award for best choreography, the dances in Damn Yankees, West Side Story and the 1994 revival of Show Boat have little in common. Not the choreographers—Bob Fosse, Jerome Robbins and Susan Stroman—or the composers—Richard Adler and Jerry Ross, Leonard Bernstein, and Jerome Kern. Not the dancers, either—the standouts were […]

Choreography's Constantly Shifting Role on Broadway

I first got hooked on Broadway musicals as a preteen at Gypsy, with its tapping moppets, gyrating burlesque queens and Tulsa, the dancing heartthrob. I’ve been going ever since, but Dance Magazine has been at it even longer. The 1926-27 Broadway season was just ending when DM began publication, and of its 200-plus shows, dozens […]