Ashley Blair Fitzgerald as the Dark Lady. Photo by Joan Marcus, Courtesy Rubenstein
Dance on Broadway is usually more about ensemble work than stealing the singular spotlight. That's true for most of The Cher Show, with Christopher Gattelli's choreography supporting the titular diva. But for one second-act number, dance takes center stage.
Christopher Gattelli's Broadway choreography, here in My Fair Lady, is rooted in moving the story forward. Photo by Joan Marcus, Courtesy Lincoln Center Theatre.
The 20-somethings doing Broadway Dance Lab's first-ever Choreography Summer Intensive ended their recent tour of Lincoln Center's New York Public Library for the Performing Arts with something special. In the seminar room, Tony-winning choreographer Christopher Gattelli awaited them with a conference table laden with Broadway treasures from the library's collection. Decades-old original sketches and black-and-white production photos from My Fair Lady, The King and I and South Pacific served as visual aids for Gattelli's discussion of these shows' Lincoln Center Theater revivals, as well as My Fair Lady's 2016 60th-anniversary production at the Sydney Opera House, directed by the original Eliza, Julie Andrews.
Prodded by BDL founder Josh Prince, Gattelli talked about tackling those three musical theater classics and the art of Broadway choreography in general. Here are some highlights, edited and annotated for clarity.
The set for last year's ceremony. Photo by Stephanie Berger, Courtesy The Tony Awards
The biggest weekend in Broadway is finally upon us: The Tony Awards are this Sunday (airing at 8 pm EST on CBS). While other media outlets might be busy forecasting winners, we're speculating about the dancing we might get to see during the broadcast.
Conscientious theatergoers may be familiar with The School for Scandal, TheSchool for Wives and School of Rock. But how many are also aware of the school of Fosse?
The 1999 musical, a posthumous exploration of the choreographic career of Bob Fosse, ran for 1,093 performances, winning four Tonys and 10 nominations; employing 32 dancers; and, completely unintentionally, nurturing a generation of Broadway choreographers. You may have heard of them: Andy Blankenbuehler and Sergio Trujillo danced in the original cast, Josh Rhodes was a swing, and Christopher Gattelli replaced Trujillo when he landed choreography jobsin Massachusetts and Canada. Blankenbuehler remembers that when Trujillo left, "It was as if he was graduating."