An Orlando Ballet audition. Photo by Fellipe Buccianti, Launchpad Photo, Courtesy Orlando Ballet
There has been much discussion lately about the practice of professional arts organizations charging fees for performers to audition. Sara Bibik's letter to Dance Magazine brought that conversation to the forefront of the dance community and gave me—and hopefully many others—an opportunity to revisit and reflect on something that's commonplace in our industry.
After careful review, Orlando Ballet recently made the decision to stop this practice. We will no longer charge dancers to audition for the professional company. These changes were effective immediately, and Orlando Ballet is in the process of refunding the audition fees for our most recent Atlanta and Orlando auditions.
I write this letter knowing full well and first-hand the financial challenges of running an arts organization. I also write this letter on behalf of dancers auditioning for your companies. Lastly, I write this letter as a member of society at large and as someone who cares deeply about the culture we are leading and the climate we create in the performing arts.